PISMO MAKSA LUBURIĆA 12.1.1967 “SLUČAJ PUKOVNIKA ŠTIRA I GENERALA MAKSA LUBURIĆA”

 

Pogledaj Full Version : Tko je Maks Luburić, General Drinjanin?

Ovdje na ovoj poveznici “Pogledaj Full Version: Tko je Maks Luburić, General Drinjanin? ima pune četiri (4) stranica, sveukupno preko 6 tisuća stranica raznih opisa što je Maks Luburić pisao. Kilinite po brejevima 1-2-3-4- i po vašoj želji, znatiželji, vremenu pročitajte i širite dalje da se zna.
Mile Boban, Otporaš.
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Stranice : 1 2 [34
Bobani
18-06-2015, 00:55
POVRATIO SE DINKO DEDIĆ – BRAVO DINKO!

(Tko je Dinko Dedić?
Dinko Dedić je bio hrvatski politički emigrant. Živio je u Australiji, u Melbourne. Pokrenuo je koncem sedamdesetih godina “HRVATSKI TJEDNIK” kojeg je bio glavni i odgovorni urednik. Jako je stručno i profesionalno uređivao tu hrvatsku političko/nacionalnu novinu. Novina HT je prestala izlaziti, koliko mi je poznato zadnji broj je izišao za Božić 1989. Ovaj dolje priloženi link je opis Dinka Dedića na portalu Kamenjar.com. Kliknite i saznajte nešto više. Ovaj komentar od gosp. Zvonimira Došen je njegovo osvrt na opis Dinka Dedića a i njegovo osobno mišljenje povodom članka. Korisno bi bilo pročitati i jedno i drugo da bi se mogla dobiti cijelokupna ocijena i jednog i drugog. Mile Boban, Otporaš.)

Bog! Franjo,
Pročitaj reakciju na Dinkov opis. Svak ima pravo na svoje pišljenje, pa tako i Zvonimir Došen i Dinko Dedić. Ja sam ovo poslao nekima s gore navedenim naslovom.

RE: POVRATIO SE DINKO DEDIĆ – BRAVO DINKO!‏
Zvonimir Dosen
7:52 PM
To: MILE BOBAN Cc: TEJA TEJAKOVIC

Dragi Mile!
Ne poznam ove ljude, ali ti moram reći da je ovaj govor, poslie svega što je učinjeno ili pokušano s tom našom zagonetnom pomirbom, kako bi Englezi rekli, redundant (suvišan).
Zašto? Zato što smo se mi 1990. pomirili ne samo s partizanskim sinovima i unucima, nego i s nekim bivšim partizanima; Tuđman, Bobetko i drugi.
Mi smo se pomirili (i ostali pomireni) s partizanskim sinovima; Mirom Tuđmanom, Andrijom Hebrangom, Milovanom Šiblom, Ivanom Bobetkom i svima koji su bili za pomirenje, pa mi nije jasno s kojima bi se to mi još trebali miriti – s Mesićem, Josipovićem, Bajićem, Nobilom i drugom crvenom jugoslavenskom bandom?
Ovaj čovjek kaže da se s Jugoslavenima ne može miriti, ali izgleda da ne shvaća da su baš Jugoslaveni ti koji se nisu i nikada neće s nama (a sigurno ni mi s njima) miriti.

Kad ovaj gospodin kaže da treba: “Prihvatiti činjenicu da su postojali partizani i ustaše s domobranima kao hrvatski borci…..da su i jedni i drugi htjeli hrvatsku državu, moram doći do zaključka da on ili je tada bio pijan ili mu, kako kod nas u Liki kažu, noge smrde. Prije svega, nije bilo hrvatskih partizana koji su se borili za Hrvatsku, bili su samo jugoslavenski partizani koji su žarili, palili i klali sve hrvatsko. Ako se odpadnike od hrvatskog naroda smatra “hrvatskim partizanima” onda je valjda i Manolić jedan od njih.

A kad još navodi absurd kako su ustaše “pogriešili jer su Hrvatsku isporučili nacizmu i ostavili dio zemlje Talijanima”, onda nikome nije teško zaključiti da taj čovjek nema pojma o čemu priča.
On očito nema pojma o onome što se sve odigravalo za vrieme tzv. Rimskih ugovora, a govoriti da su ustaše Hrvatsku isporučili nacizmu više je nego glupo i neodgovorno.

O bitkama koje je dr. Ante Pavelić vodio s Mussolinijem i njegovim fašistiima, najprije u Ljubljani pa onda u Rimu, u svezi s pretenzijama na hrvatske teritorije i o tome komu je Njemačka nudila podržku da proglasi slobodnu Hrvatsku prije nego je konačno pristala da to budu ustaše već sam dosta govorio i pisao nu izgleda da ću to morati ponavljati sve dok bude potrebno.

Bratski pozdrav Mili Bobanu.

Za Dom Spremni!

Zvonimir R. Došen

—————————-

Subject: POVRATIO SE DINKO DEDIĆ – BRAVO DINKO!
Date: Tue, 16 Jun 2015 20:33:59 +0000

MI KOJI NEMAMO PARTIZANSKOG I KOMUNISTIČKOG NASLIJEĐA
Milane, ovo moraš pročitat,,

PoZDravio te je Dinko, Bog! Franjo.

http://kamenjar.com/mi-koji-nemamo-partizanskog-i-komunistickog-naslijeda/

Vinko Vukadin donio je tekst na temu nacionalnog izmirenja, koja je naišla na značajnu pozitivnu reakciju …

Bobani
18-06-2015, 12:28
“SLUČAJ PUKOVNIKA ŠTIRA” ILI GENERAL DRINJANIN I PUKOVNIK IVAN ŠTIER

(Ovo pismo se nalazi u knjigi “PISMA VJEKOSLAVA MAKSA LUBURIĆA 1952-1969” na strani 655-661. Pismo je pisao general Drinjanin svojim suradnicima na 7 zbijenih stranica. Pošto je pismo išlo iz ruke do ruke i iz kopije do kopije, pismo je djlomično ne čitljivo. Koliko god pismo je nečitljivo, vidi se po sadržaju što je čitljivo da je jako interesantno. Ja sam ga pročitao mnogo i mnogo puta, bilješke pravio i nečitljive riječi nastojao odgonetnuti. S zadovoljstvom govorim da sam dobro uspio odgonetnuti pismo. Riječi koje ne bih mogao odgonetnuti ću staviti moje obješnjenje tako da se zna da nešto fali. Pošto su sva PISMA MAKSA LUBURIĆA jedna velika povijesna stvar, ja ću ih iznositi tako da za pet stotina godina netko od Hrvata ih bude čitao, da se mogne snaći i odgonetnuti sadržaj pisma.

Druga stvar. General Drinjanin i pukovnik Štier; neki ga pišu Štir a poneki Štier, svejedno mi znamo o komu se radi, da se oni poznaju iz borbi za vrijeme NDH. Uski su suradnici u organizaciji HRVATSKI NARODNI ODPOR. Po pismima koje iznosim primjećuje se da između njih dvojice postaje neki razcijep, razilaženje. Ovo je važno reći kako se ne bi pogriješni zaključci donosili. Neka pisma govore. Šteta da nemam pisama pukovnika Štira te ih usporediti sa pismima generala Drinjanina. Imam samo jedno pismo koje sam stavio ovdje na ovi forum br. 205 naslovom: “Pismo puk. Ivana Štiera gen. Vjekoslavu Luburiću.” Svakako će nam i ova generalova pisma donekle dati ideju ili ideje i razloge razmoilaženja. Ovo pismo je poslato na Ratka Gagru u Toronto i na vrhu pisma napisano olovkom, tj. rukom ovako:

“Dragi Ratko ! ovo sam napisao, ali nisam poslao, jer bi mogli pojedine djelove izraditi i nastaviti sa manjem. Upoznaj Vladeka. Grli Te Tvoj Maks.” Otporaš.)

12.I.1967.
general DRINJANIN Braći u Argantini,

Dragi moji !

Noćas sam odpremio goste i evo me sa nekoliko riječi, a nadam se za koji dan moći i na pisma odgovoriti i pokrenuti niz stvari, koje smo odlučili ili planirali.

Da se ne mučim prepisujući šaljem po jedan primjerak i pukovniku Štiru, Lukasu, Juričiću, Enveru Nehmedagiću, Boži Veiću, Mirku Bušiću i Dinku Šakiću, a ostale upoznajte, jer i tako je upućeno svima skupa.

Bio sam zaposlen sudbonosnim dogadjajima, ali me stvar, da nazovem “stvar pukovnika Štira” pratila kao kakva avet. U prvom redu zato, jer ima “stvar pukovnika Štira”. Naoko to je izbilo sada, radi izbora i radi govora i radi pisanja OBRANE,- nu na Radnom Sastanku Oceanije pred dvije godine Rover je pokrenuo cijeli radni Skup, pa i Brbića, Gagru (Pavo Gagro u Australiji je rođak Ratka Gagre u Torontu, mo.) itd. da mi napišu zajeedničko pismo u formi skoro ultimatuma, gdje me se pitalo sa malo riječi ali energično, da im opravdam “slučaj pukovnika Štira”. Nisam znao što da im odgovorim, nego sam rekao, da neka pitaju samog pukovnika, i dao sam im adresu. Bili smo s pukovnikom u stalnoj vezi, zvali se, kao i obično “dragi braco”, tiskali knjige i planirali izdanje na drugim jezicima, – dok nije, ne znam zašto, javio da on sam u tom pravcu preuzima incijativu, pa da ne dozvoljava drugima, da to prevode, tiskaju itd., nego da se interesirani obrate na njega. (Ovdje se radi o knjigama: VOJNIČKI PRIRUČNIK 1964., ELEMENTI I MOTEDE KOMUNISTIČKE GERILE 1964. I STRATEŽKA VAŽNOST BOSNE 1965., koje je napisao pukovnik Štir i tiskao u DRINAPRESS tiskari, mo. OTPORAŠ.) Ja sam to tako i javio onima, koji su se interesirali i više ništa o svemu ne znam, ali mislim, da ako ja ne budem tiskao švedsko, englesko i njemačko izdanje, da će se dogoditi kao i sa hrvatskim i španjolskim izdanjima, tj. da će pukovniku obećavati, obećavati, a sve će na kraju kod toga i ostati. Dao Bog, pa se prevario, jer djelo zaslužuje da se prevede na ove i sve druge jezike radi Hrvatske, i radi naše vojske i ugleda Odpora.

U isto vrijeme dok sam ja sa paterom Oltrem muku mučio kako da pokrijem izdatke jednogo izdanja od 10.000 primjeraka, javio mi je pukovnik, da ima ponudu, da bi tiskao tamo, na španjolskom. Začudio sam se, i rekao, da mislim da to nebi bilo u redu sada kada mi je pukovnik dao slobodne ruke i izričito odobrenje, da tiskam, što je za Drinapress značilo “biti ili ne biti”.

Posjedujem dva pisma od prijatelja IZVAN ODPORA koji su mi TADA napisali, da se govori DA SAM PREVARIO TUGOMIRA I PUKOVNIKA ŠTIRA sa knjigama, parama itd. Nu kako sam se već naučio na “argentinska posla” tome nisam davao važnost. Dovršio sam knjigu, a Vama se obvezujem na to, da sam voljan staviti na raspolaganje dokumente, kako smo Oltra i ja pokrili troškove.

Nu za taj korak moram dobiti časnu riječ svakog od Vas, jer bi indiskrecija mogla štetiti nama dvojici (Padre Oltra i generalu, mo.) i onima, koji su nam pomogi. Razaslao sam knjigu i dao riječ pukovniku, da ću ostaviti na raspolaganju onoliko primjeraka, koliko bude trebalo, a i dati mu da može prodati i nešto zaraditi, kako bi imao podrške za daljni rad. Pukovnik je dobio za prodaju, koliko ja znam, 1.000 dolara, te od toga dao Lukasu 500 a drugi zadržao za sebe, koji korak sam odobrio i k tome molio pukovnika da o tome ne govori nikome, jer da to neki ne bi shvatili, jer mi za naš rad svi dajemo, a ništa ne dobivamo. Jeli dragi braco tako bilo? Bojim se da je moj braco i tu prošao kao i naš nesudjeni tajnik Odpora Tomica Grgić, koji je najprije Dru. Heferu saopćio jednu diskretnu, unutarnju i intimnu vijest: da ja ne želim da bi se pitanje ikavice i drugih problema Pere Tutavca (Pero Tutavac (Bilić) je izdavao na čistoj ikavici novinu NAPRIDAK. Izdao je nekoliko knjiga na ikavici. Meni ih je slao da ih ja prodajem u USA., mo.) poistovjetilo sa ciljevima Odpora, te da ljudski želim riješiti s vremenom taj problem, na način, da Pere mogne nastaviti sa nastojanjima oko ikavice, a da Odpor može postaviti svoja nastojanja u Argentini na jednu solidnu bazu. Ostali ste to čitali u “Hrvatskoj”, a čime se mene stavilo pred alternativu i gotov čin. Bojim se da ćete o svemu “problemu pukovnika Štira” skoro čitati u “Našem Putu” (kojeg su u Torontu izdavala braća Rudi i Srećko Tomić, mo.) sa detaljima o tome kako sam ja prevario Štira, Tugomira, Tutavca,- i druge detalje o stvaranju “Privremenog Odbora za Reorganizaciju Odpora”, te o usporedbi – Vrančić – Štir, MOJ – Odpor, Hefer – Maks itd….(….nečitljivo…mo.)

Ja sam dobio bio dva osobna , rukom pisana pisma, od puk. u kojima mi je izrazio neke svoje primjedbe, neke vrlo pametne, neke ideološkog, neke taktičkog, i druge osobnog značenja. I drugi su mi pisali . Nažalost rekao bih “mnogi drugi” o detaljima, koje ne mogu ovog časa ponavljati. Pisao sam mom Braci pukovniku, da sam strašno zauzet, da u decembru moram izbaciti tri Obrane, da završavamo dvije knjige, i planiramo drugih pet. Skoro ćete imati o tome podrobne vijesti, pa se uvjerite da “ne lažem”. Jer danas se i medju ministrima, generalima, svećenicima i intelektualcima, akademičarima i uglednim ljudima ove i slične riječi upotrebljavaju kao i sapun. Osim toga imao sam, zaista , posjete iz Domovine, Njemačke i morao sam obaviti čitav niz poslova. Obećao sam Braci da ću LOGIČKI MIR upotrebiti za to da odgovorim dostojno na njegova pitanja i analiziram sugestije i probleme, koji sa rastom Odpora rastu svakodnevno: ideološka, osobna, organizacijska, strukturalna itd. U isto vrijeme sam molio pukovnika da mi pošalje U FORMALNOJ (ili normalnoj, nije najčitljivije, mo.) FORMI NJEGOV PLAN ZA SASTAV, DJELOVANJE I DJLOKRUG RADNIH SKUPOVA, koji se odnosi na cijeli VANJSKI SEKTOR, izradbu ustrojbenih, taktičkih i funkcionalnih zasada za budućnost. Jeli tako, dragi Braco?

Nisam dobio konkretna odgovora na ta pitanja, niti tih konstruktivnih prijedloga, – ali sam zasut pitanjima ljudi izvan našeg kruga, koji mi iznose probleme na drugi način.

Znam i da se prepisuju veselo pisma, odnosno dva pisma, od kojih jedno nosi naslov “Dragi Braco” a upućeno je generalu Drinjaninu, sa kopijama drugoj šestorici, koje je pukovnik odabrao. (Ovdje se radi o pismu puk Ivana Štira generalu Vjekoslavu Luburiću od 12 prosinca 1966. Vidi opis #205, mo. Otporaš.)

Ne mogu mom Braci odgovoriti na postavljena pitanja, jer to je drugačije kada se radi o ljudima i privatnoj korespodenciji izmedju starih ratnih drugova, koji se nazivaju Braco, ili kako se ja recimo sa vitezom Pjanićem dopisivam kao “Dragi Pobratime”. Drugačije je i kada se ljudi dopisuju kao generali i pukovnici, drugačije je to kada se radi o jednom Tijelu, kao Odporu.

Nu ne znam kakav je kriterij imao Braco kada je pismo upućeno Braći svršilo u rukama takovih, koji niti su Braća, niti su pukovnici i generali, niti su uopće pripadnici Odpora, a najmanje Glavnog Stana, nego cirkunstacionalni suradnici, dok drugi neki nemaju KRITERIJA, kao bivši čarkari, raspravljati probleme koje pukovnik planira generalu, ili jedan ugledni predstavnik Odpora zapovjedniku istoga. Pismo je, prema tome, upućeno čaršiji (ovdje general misli na spletke koje proizlaze iz kuhinje Buenos Airesa, mo.), a ne braći, generalu ili Zapovjedniku. Tako zaključujem iz jeke i odjeka. Zato mi je i odgovaranje problem, jer moram znati razabrati izmedju riječi koje upućujem Braci, Pukovniku, Suradniku ili pak – Čaršiji. Ovisi o delikatnosti, svijesti, odgovornosti i inteligenciji svih onih, koji su : 1.) Prije mene bili obavješteni u “problemu pukovnika Štira”, 2.) onih, koji su prije mene znali za ono što će mi poručiti moj Braco, i 3.) onih, kojima je pismo poslato, koji ga prepisuju i razašilju – svojim Bracama, suradnicima, prijateljima itd. I to se čini.

Nisam zaboravio dana iz naše pobune, nisam zaboravio ni posljedica, ne želim stvar podcjenjivati, ne želim nikog optuživati, a kamoli izključivati, ne želim nikog blatiti, jer smo vidjeli da smo se svi blatom bacili i svi ostali posrani pred svojom savješću, pred malim i mladim ljudima, i pred narodom uopće i poviješću. Ne želim se igrati ni vodje, podvodje, ni izgovarati prazne riječi, nego jednostavno želim malo pričekati da vidim KOME SVE MORAM ODGOVARATI NA PISMO KOJE JE TEORETSKI BILO UPUĆENO MENI A DOSPJELO U RUKE ČARŠIJE. Želim kao čovjek sačuvati prijateljstvo moga Brace, želim kao general imati suradnju pukovnika, ako se smatramo vojnicima, želim kao bivši buntovnik preći u fazu IZGRADJIVANJA, jer svaka pobuna mora jednom svršiti i preći u bonapartizam (francuska riječ “Bonapartizam” koja označuje smisao snošljivosti i trudi se izgladiti međusobne svađe itd., mo) da bi se sačuvalo ono što je produkt pobune. Nisam ni ljut, ni nervozan, ni dešperetan, (razočaran, mo.) nemam kompleksa, nego jednostavno želim viditi o čemu se radi, ispraviti pogreške ako sam ih počinio, postaviti stvari na svoje mjesto, ako su naglim rastom (misli se na rad HNO, mo.) izišle iz kolotečina, želim učiti i saslušati mišljenje drugih i uzeti u obzir želju i volju suradnika, Radnih Skupova i živih snaga organiziranih u Društvu, da bi mogao vagnuti i dati još jednom dokaz osobne skromnosti i smisla za rad u ekipama.

Zato i pišem svima Vama kao i uvjek sa “dragi moji”. Sve ono što ne riješite na toj bazi, nećete riješiti kao pukovnici, doktori, seljaci, obrtnici, mali i veliki ljudi, pismeni, polupismeni, bogomdani intelektualci. Na toj bazi ste počeli, t.j. kao buntovnici i braća, da, na toj bazi ste uspjeli ono, što niste kroz mnoge prijašnje pokušaje. Uspjeli ste Vi, i drugi, i to je jedini duh koji može pokretati. Ovih dana je bio kod mene iz mehlemske grupe. (radi se o gradu Mehlem u Njemačkoj gdje je jedna skupina od tridesetak Hrvata 1962. godine navalila na neku, kako su ju zvali, jugoslavensku trgovačku misiju, a uistinu je bilo gnjijezdo sastanaka jugoslavenskih špijuna, udbaša i svih onih koji su na bilo jedan ili drugi način, bilo silom ili ucijenom, radili protiv hrvatske političke emigracije. Mislim da je tu poginuo jedan visoki službenik jugoslavenske Udbe. Bilo je uhapšeno tridesetak Hrvata. Neki su odlažali godinama u zatvoru, među kojima je bio i fra. Rafo Medić, mo). Pitao sam ga kako vidi mene, i njih mlade skupa sa ostalima. Rekao mi je, da smo svi braća, a neki nosimo činove i titule koje nas obvezuju više nego njih, koji ih nemaju. Pa Vi, – kaže, dogovorite se, i s nama zapovjedajte. I tko ne posluša, kugla. To u “danom času”. Ima i drugi načina, nu u suštini sve solucije nose u sebi nešto od te primitivne filozofije vis-a-vis beskrajnog glasanja, dogovaranja, koje nikad da završi, i gdje se nikad ne odlučuje.

Na Vama je da:

1. Bratski se dogovorite i stvorite svoj plan rada za to područje, prema Vašim prilikama, zahtjevima, odgovornostima, i da riječi pretvorite u djela. Da izvršite onaj dio rada Vanjskog Fraonta, koji na Vas spada za TO PODRUČJE. Da ne prenosite probleme Vaše na ostala područja, ni oni na Vaša. Svaka zemlja ima političke, psihološke, ideološke, geografske i socijalno-kulturne osobine, i svaka zemlja djeluje prema tim sposobnostima. Da bi mi uspjeli moramo se aklimatizirati njihovoj idiosinkraciji. (šta god bi to moglo značiti, mo.) Tako možete politički djelovati, moralno i materijalno pomoći. Vršiti funkciju horizontalne pa i vertikalne diplomacije itd. Prenošenje problema jednog područja na drugi, ukrućenje (ovdje se radi o glagolu “ukrutiti” znači “napetost, krutost, tvrdoglavost; nepopustljivost i sl., mo. Otporaš.) u strukture nametnute odozgor, vidili smo, svršavaju tragično. Planirajte si zadatke, izaberite konkretne ciljeve, dogovorite se i stvarajte i rastvarajte strukture svog djelovanja prema prilikama koje najbolje poznate. Ni naturivanje drugim područjima, niti ukrućenje u norme i forme ne vodi nečemu : mi smo emigranti puni vrlina i kompleksa koje nosimo sobom iz domovine i specifičnog problema svakog od nas i zajednice u kojoj je djelovao svaki od nas. Ono što ne napravite kao braća, rekao sam nećete napraviti ni na jedan drugi način.

2. Kao pripadnici Odpora na Vama je da pomognete rad Odpora kao zajednice, tj. koroprativno. Ta zajednica mora imati Glavu, pa zvala se general, zapovjednik, predsjednik, vrhovnik, opunomoćnik itd. Molio sam sve, pa i pukovnika Štira, da i on dade svoju verziju o radnim Skupovima, ustrojstvu i djelovanju, nu ne u fond nabacanih mišljenja, nego u nekoj konkretnoj formi. To nije učinio ni jedan od onih kojima u meni žele viditi “vrhovnika”, kao nekada Pere, (misli se na Peru Tutavca, urednika “NAPRIDKA”, mo.) ili koji ne žele slijediti osobu kao pukovnik, koje mišljenje ja odobravam, prihvaćam kao svoja, ali to treba učiniti na bratskoj bazi. Kada me je jedan dio Odpora uvjerio da osobno nisam podesan za ZAPOVJEDNIKA ODPORA, ja sam te razloge bio prihvatio i medju inim ponudio u više navrata svima Vama, da izaberete novog zapovjednika, tj. bratski izabrati, demokratski prihvatiti i onda ipak vojnički postupati. Većina bi to bila prihvatila. I konkretno sam ja ponudio pukovniku Štiru, da mi stane na čelo Odpora.

Pukovnik je tada formirao jedan Komitet, Odbor, poslao meni jedan letak, kojeg sam tiskao i razaslao, i onda smo iznijeli i tiskali Načela. I kasnije je taj Komitet, stvoren u Argentini, umro u porodjajnim bolovima, stvar je Odpora sišla na mrtvu točku, stvar vojske nije se ni spominjala, i malo po malo o Odporu su govorili Vladek i Nosić i prijatelji u Kanadi, Erić i Crnički i prijatelji u Usa, Stipe Brbić i drugovi, par njih kao u svugdje, u Australiji, i nekoličina u Evropi. (Sjećam se ovog loma u Odporu kao da je jučer bilo. I mi u Parizu smo koplja lomili da ne dođe do polarizacije Odpora. Dr. Peranić mi je o tome najviše govorio, mo) Ja nisam ni na pisma odgovarao onim drugim prijateljima, koji su bili Cagnuti, Cugnuti (nečitljivo, mo) i unda kada ja to nisam bio.
I sve je kasalo. Moj dragi Braco je, kao i toliko puta bio izgrižen od odborovanja, glasanja, nerazumijevanja, intriga i uzaludnih nada, da će se stvar u HOP-u riješiti bratski. Ja sam od samog Poglavnika bio ožigosan, javno napadnut u Domu (Dom, zgrada i sjedište Hrvatskog Domobrana u Buenos Airesu, mo.) i tada je pukovnik Štir rekao jednu značajnu stvar: svi smo osjećali da iza Poglavnika, iznemogla i svladana, stoje Maks i Džafer. (Kulenović, mo.)

Da, tako je bilo, jer sve je bilo dogovoreno sa Džaferom i drugima. Onog dana kada mognem tiskati njegova, uvjek vlastoručna pisma pisana , bit ću opravdan za mnogi moj postupak. (Tko pomno i ozbiljno čita i prati ova PISMA MAKSA LUBURIĆA, uočit će da Maks sve malo po malo govori šta je nekada bilo i zašto. Njegova pisma će biti od velike značajnosti i važnosti za napisati povijest o Ustaškom Pokretu, Janka Pusti, stavranju NDH i obranu iste. Čuo sam da negdje u Španjolskoj postoji jedan Španjolac koji, navodno, ima preko četrdeset kutija ARHIVE MAKSA LUBURIĆA. Nadati se je, ako je to istina, a trebala bi biti istina, jer poslije pogibije generala Drinjanina, španjolske vlasti su sve zaplijenile i pohranile negdje. Pukovnik crnički mi je pisao u svojem izvještaju od 5 kolovoza 1969. godine, da mu je sud dodijelio samo tiskaru DRINAPRESS i sve što je pripadalo istoj, a da su zadržali ARHIVU, mo. Otporaš.)

On je bio voljan meni dati javnu podršku pa i protiv Poglavnika. Meni je tada ostalo ili prihvatiti borbu sa onim Poglavnikom i biti optužen, da sam sve radio zato, da postanem POGLAVNIK USTAŠKOG POKRETA, ili se povući. Povukao sam se (od 1956 do siječnja 1960, dakle do Poglavnikove smrti 28 prosinca 1959 god., skoro pune četeri godine, mo.) i očekivao od pukovnika i drugih, da pokrenu ODPOR I BEZ MENE, bez hipoteke Jasenovca, i “noža karikaša” i “dinarskih koljača”. Dogodilo se kao sa akcijom pok. Bože. (Kavrana, mo.) Meni su zabranili mješati se u to, a “kulturna ekipa” je konspirativno i tehnički bila nezrela. Dobar dio sadanjih vjernih suradnika i “uglednih emigranata” pravilo je na mene pritisak da “sagnem šiju”. Sam me je nadbiskup Šarić dramatskim prizorima na to silo. Nisam pristao, jer bi to bilo suprotno idejama koje su pokrenule NAŠU POBUNU, a i stvaranje HRVATSKOG NARODNOG ODPORA. Ostalo znate.

Stratezi HOP-a su mi uz pomoć “uglednih i najuglednijih” razrušili i obitelj : sagni šiju, sagni šiju, ali je nisam sageo. Srećom da sam imao prijatelja u ovoj zemlji, inače bi svršio Bog zna kako. I pukovnik Štir je dobio od moje žene pismo, samo da spomenem jednu stvar, a ono što se govorilo i pisalo znate. Nu došao je dan kada je umro Poglavnik i ja time bio oslobodjen OBVEZE. Tada su svi, pa i Rover i puk. Štir bili zato, da i opet ja budem na čelu Odpora. I Odpor je svugdje postavljen osim tamo u Argantini. Još uvjek je bilo nade u povratak u Maticu, razumjevanje itd. I na kraju ste pristupili stvaranju Odpora u Argentini, s jedne strane, te vezanju istog uz GENERALA DRINJANINA KAO ZAPOVJEDNIKA ODPORA. Dakle s GLAVOM o kojoj smo govorili. I bojim se kako je planirana stvar “pukovnika Štira”, da se radi o tome, da se moju osobu još jednom stavi na glasnja i zamjeni me se KOMITETOM ili OSOBOM. Sve ovo sam rekao i Roveru kao i pukovniku i svim drugima. Jer ako će se u svakoj taktičkoj operaciji plan i straktura i Glava stavljati u pitanje, onda nećemo preživiti sudbinu svih onih Komiteta i Odbora, koji su dosada tamo stvarani. (Misli se u Buenos Airesu, mo.)

Ne možemo mi vezati svaki korak sa mišljenjem drugih, s kojima mi želimo suradnju, ali na bazi korporativnoj kao Odpor, i na bazi jednakosti u akciji, a ne na bazi “priključite se svi pošteni Hrvati meni” ili “nama”. U New Yorku na pr. Rover nije stvarao stav Odpora sa Erićem, Nosićem, Crničkim, Gagrom, Markićem, itd. nego sa drugih pozicija : australske, Uj.Hrvata i “nezavisnih”. Intelektualna superiornost i dijalektika one manevarske skupine “očeva domovine” izvukli su ćilim ispod noga Rovera, a Erić stvaratelj svih državotvornih akcija u Usa. bio je izguran, posramljen i eliminiran. Razišli su se “očevi domovine” a onda su usljedili napadi Jelića, Oršanića i u čaršiji (Buenos Airesu, mo.) se je smatralo prof. Korskog kao intelektualnog začetnika, Oršenića kao sprovoditelja, Jelića kao platformu i Rovera kao medijuma za “likvidaciju Maksa” kao glave Odpora. Ostalo je sve bila kako vele talijani :kombinazione…

Sa zebnjom sam očekivao POHOD ODPORA U ARGENTINI. Svi me pitaju: Zašto pukovnik Štir nije u Odporu? Zatim: zašto nije govorio na objedu, gdje su bili svi komponenti one ideje zajedničkog rada. I davno prije nego ste mi ijedan od Vas pisali rekli su mi moji prijatelji iz drugih skupina mnogo toga, što sam kasnije saznao bilo od samog pukovnika, bilo od Vas pojedinaca. To je “slučaj pukovnika Štira”.

Reći ću Vam :

1. Ne zatvaram se ispred bilo kojeg riješenja unutar samog Odpra, ali uvjek na bazi Odpora, sa imenom Odpora, sa ljudima Odpora, sa ustrojstvom i pravilnicima Odpora, i u duhu Odpora. Htio sam time reći : bez miješanja ljudi izvan Odpora, bez “kombinazione” ostalih, s kojima trebamo suradjivati kao ODPOR.

2. Ne povlačim se ni zato jer bi bio desiluziran, jadan, umoran, kompromitiran, zauzet, itd., itd., i tu možete ubrojiti sve objektivne ili subjektivne razloge. Kasno je, medju inim, nije to moj stil, i jer bi to bilo dezertiranje, kako su neki označili moj stav, kada sam se povukao prvi i jedini put, ili kako su u čaršiji (Buenos Airesu, mo.) dezertiranje označili stav pukovnika iz bojazni pred frakasom prigodom našeg javnog nastupa. Ja ne vidim nikakvih solucija ni u vraćanju u MATICU tj. HOP ni jedne vrsti, ni u novo Vijeće, ni u mjesnom argentinskom Komitetu na čelu sa bilo kim. Sve je to prošlost. Mi već pišemo POVJEST i s ovog puta nema povratka natrag. U taj put sam unišao kao GLAVA ODPORA, kao takvog me trebate prihvatiti ili odbaciti, slijediti u revoluciju ili likvidirati me. Jedno je sigurno da ne mogu prihvatiti dialog na način, kako je sada bio planiran.

I na kraju, a u onom duhu, koji nas je spajao u danima “pobune duhova” s kojim duhom sam podpuno identificiran, molim Vas, da bi se sastali i razradili pitanja i rastavili ih: ona taktička, ona ustrojbena i organizacijska, ona ideološka, ona eventualno osobna i lokalna pitanja. Sve se još može riješavati u istom duhu, koji nam je do sada vodio k solucijama.

Jedino što ne mogu učiniti jest sam sebi odrubiti glavu, kako sam to u jednoj OBRANI humoristički prikazao. Htio sam reći da ne mogu raditi sam protiv sebe kraj tolikih, koji to čine. Životni instikt kod onih, koji su pjevali : glavo moja…. je vrlo jak. Obveze prema onima, koje sam već POVEO, za mene vrijede do smrti. Sam vjerujem u ono što radim i voljan sam riječi pretvotiti u djela, ali i uvjek prihvatiti SVE SOLUCIJE, koje ne IZKLJUČUJU PRIJE REČENO, što da sumnjam u ono, što su drugi prihvatili? Bio bi hipokrita kad ne bih rekao, da osjećam da mogu sprovesti ono što smo zajednički svi mi stvorili. Glava je potrebna svakom tijelu, i u sred demokracije je bilo predvodnika, i jedan od njih sam i ja, i ideja Odpora rasla je i sa mojim imenom. Pukovnik je jednom davno napisao jedan krasan članak o psihologiji našeg ratnika, koji vodi vojnike u borbu i kojega ljudi slijede. Husku Miljkovića su njegovi vojnici slijedili u četiri tabora i vjerujem da bi i pukovnika Štira, pa i ljude manjeg kalibra.

I neka braća u Argentini riješe što spada na njih, neka i GLAVNI STAN RIJEŠI ŠTO SPADA NA NJEGA, a i pukovnik Štir donese odluke, ako njegove misli izlaze iz okvira koja smo mi davno stvorili. Ja ću sa rešpektom i bratski pozdraviti svaki konstruktivni korak, uzeti učešće u svemu, osim u vlastitoj likvidaciji.

Na Vama je da osobno i kolektivno odlučite, a ja ću se odlučiti prema tome dokle stigne val “slučaj pukovnika Štira” koji mi je predočen pred dvije i više godina, zapravo odkada smo se jače pokrenuli. Govorio sam Vama i o Roveru: i njemu sam rekao točno isto, tj. da ga sastanu sa Odporašima Oceanije i riješe domaće probleme, a da dodje do mene ako želi raditi na domovinskom sektoru. “HTJETI UVJEK NEŠTO DRUGO”. Na pr. ako pukovnik nije u,recimo, kondicijama da se sporazumi sa Odporašima svog područja, kako će sa onima na drugim kontinentima, gdje su htjeli sasma različiti i prilike suproten. Mi smo sve to već prebrodili i pošli dosta snažan korak naprijed. I sazrijeva naše doba i ne može uvjek počimati kao regruti, ni buntovnici. Mi smo PREDVODNICI HRVATSKE REVOLUCIJE i odgovorni smo svi za svako djelo. Susrećemo se sa novim ljudima, idejama, problemima i bit će i te kako VIŠE TABORA U ODPORU. To je uvjet i preduvjet svakog uspjeha našeg stratežkog plana : koordinacija mnogih snaga u monolitnoj vojno-revolucionarnoj stegi bez niekanja personalnosti onih, koji su voljni biti naši taktički saveznici u borbi protivu Jugoslavije i srbokomunizma.

Mi bi trebali već posebno tijelo za koordinaciju i drugih snaga, unutar i izvan Jugoslavije. Trebamo i mnogo toga, što vraćanjem na polaznu točku i imitiranje onih, koji su davno propali, nećemo uspjeti.

I sada vidim da sam zadro dublje, nego sam mislio. Molim Vas da prihvatite samo jedan primjerak ovog pisma kojeg šaljem na Lukasa, a drugi na puk. Štira, dok ću ostale primjerke poslati glavnim suradnicima, da nebi trebao iznova prepisivati, jer se moram baciti na nove OBRANE. Šaljem Vam i dva okružna pisma, i morat ću na sve drugo odgovoriti.

Grli Vas sve odani Vam Maks.

(Kraj ovoga pisma, fala dragom Bogu! nije bilo lako. Pismo je bilo nečitljivo. Upotrebljavao sam naoćale i povećalo. Zadovoljan sam, potpuno. Sve sam odgoneta. Mogli ste primjetiti da je ravnoteža generala Drinjanina poljuljana i, na mahove nesigurna. Ali ipak, on, od djetinstva buntovnik, revolucionarac i vojnik se neda i ne predaje se. Koliko god je pritisnut brigama i obvezama, još uvijek daje smjernice i direktive, ono kako bi se reklo, po vojnički, da svak čuje i da svak sluša. Otporaš.)


Komentari

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  8. ## Grasping the Significance of Link Building

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    Such hyperlinks are seen as approvals of trust by Google.
    The more reputable links you possess, the greater your site’s likelihood of ranking better on search results.

    ## Categories of Links

    ### Natural Links

    Organic links are earned without requiring work from the site owner.
    These links occur when other sites discover your posts useful and cite it.

    ### Manual Links

    Solicited links include actively acquiring links from other sites.
    This can include emailing bloggers, requesting
    backlinks to your site.

    ### Self-Made Links

    User-Generated links are created by placing your webpage’s
    link to forums. Although these links might provide a quick boost, they frequently come with low value and can result in punishments from
    Google.

    ## Efficient Link Building Strategies

    ### Post Creation & Marketing

    Creating valuable articles that organically earns links is a core strategy for effective link building.
    Listed below are some tips:

    – Develop valuable articles that answer typical problems
    in your industry.
    – Create visuals that present complex information in an simple manner.

    – Write extensive manuals on subjects that are thought
    to be important to your readers.

    ### Guest Posting

    Guest articles is a further efficient method to acquire high-quality backlinks.
    This involves writing content for other websites in your
    niche. Ensure that your guest posts maintain high-quality and include
    a backlink to your website.

    ### Broken Link Fixing

    Broken link fixing is a technique that entails locating broken links on other pages and suggesting your site as a alternative.
    This does more than assists the website owner repair their broken link but further
    gives you a valuable hyperlink.

    ### Outreach and Collaboration

    Building networks with other site owners in your field is a sustainable strategy
    for link building. Listed below are some steps to take:

    – Get involved in online communities about your niche.

    – Share other users’ content and offer valuable input.
    – Work together on shared projects such as ebooks.

    ### Social Media

    Sharing your articles on social platforms can enhance its exposure and potential to
    acquire hyperlinks. Interact with your community on sites like Twitter and
    Reddit to build a strong brand.

    ## Measuring the Success of Your Link Building Efforts

    ### Software for Link Analysis

    Numerous software are accessible to help you evaluate the effectiveness of your link building strategy.

    Some commonly used software such as:

    – Google Analytics
    – Ahrefs’ SEO Tools
    – Moz Pro
    – SEMrush’s Backlink Audit
    – Majestic

    ### Metrics to Monitor

    When evaluating the success of your link building strategy, consider the next measures:

    – DA
    – Page Authority
    – Amount of linking domains
    – Authority of backlinks
    – Hits coming from links

    ### Modifying Your Strategy

    According to the results collected from your evaluation, modify your link building plan to enhance its performance.

    This might involve focusing on various types of articles,
    targeting new sites, or refining your contact method.

    ## Typical Mistakes in Link Building and How to Avoid Them

    ### Low-Quality Links

    One major typical errors is obtaining poor links from unrelated or dubious pages.
    Those links may hurt your webpage’s search engine ranking.

    ### Excessive Optimization

    Employing over-optimized link text too often can lead to sanctions from search engines.
    Aim for a balanced blend of anchor text.

    ### Neglecting Nofollow Links

    While nofollow attributes aren’t convey search engine value, they might nevertheless generate hits and improve brand
    awareness.

    ## Future Developments in Link Building

    ### Artificial Intelligence and Hyperlink Strategy

    Due to the advancement of AI, link building methods are getting more sophisticated.
    Artificial intelligence tools can aid in finding high-quality backlink sources and forecasting their effect on search engine ranking.

    ### Voice-Activated Search and SEO

    The rise of voice-activated search will be altering the way information is
    consumed. This is expected to influence link building by changing emphasis to spoken phrases and detailed
    keywords.

    ## Final Thoughts

    Efficient link building is a essential aspect of search engine optimization. By understanding the value of authoritative links, implementing diverse strategies, and constantly
    monitoring your campaigns, you will enhance your site’s credibility and attain greater results on search engines.

    By remaining updated with the newest changes and preventing typical mistakes, you will operate in the ever-changing landscape of SEO and attain sustainable success.

  9. ## Grasping the Value of Link Building

    Link building includes getting links from other websites
    to your own. Such links are considered approvals of trust by Bing.
    The more high-quality links you possess, the better your site’s likelihood of showing up
    better on search results.

    ## Categories of Backlinks

    ### Editorial Links

    Natural links are acquired without requiring actions from the site owner.
    These links occur when other webmasters see your content relevant and
    reference it.

    ### Outreach Links

    Solicited links include deliberately acquiring links from other sites.
    This can involve reaching out to influencers, soliciting backlinks to your articles.

    ### Self-Created Links

    Self-Created links are created by inserting your website’s link to directories.

    Although these links may provide a immediate improvement,
    they often include limited authority and can result in sanctions from search
    engines.

    ## Successful Link Building Methods

    ### Content Creation & Promotion

    Creating high-quality posts that automatically earns links
    is a basic strategy for successful link building. Listed below are some tips:

    – Develop valuable content that address typical questions in your niche.

    – Design charts that show detailed information in an simple format.

    – Create detailed tutorials on areas that are thought to be
    relevant to your audience.

    ### Guest Blogging

    Guest articles is an additional successful way to
    create authoritative backlinks. This includes writing
    posts for other blogs in your industry. Be
    certain that your guest articles are of top quality and include a backlink to your website.

    ### Broken Link Fixing

    Broken link repairing is a strategy that
    includes finding broken links on other websites and
    proposing your site as a replacement. This not only assists the site owner
    correct their broken link but also provides you a high-quality
    hyperlink.

    ### Contact and Collaboration

    Building connections with other webmasters in your niche is a sustainable method for building links.
    Below are some actions to follow:

    – Get involved in online communities pertaining to your niche.

    – Share other people’s content and give useful feedback.

    – Collaborate on shared initiatives such as ebooks.

    ### Social Platforms

    Distributing your articles on social media can boost its
    exposure and potential to get backlinks. Interact with your followers on platforms like Facebook
    and Instagram to build a strong digital footprint.

    ## Evaluating the Success of Your Link Building Campaign

    ### Software for Link Analysis

    Several software are available to assist you measure the performance of
    your link building campaign. Some popular tools are:

    – Google Analytics
    – Ahrefs’ Site Explorer
    – Moz
    – SEMrush’s Tools
    – Majestic SEO

    ### Measures to Monitor

    When evaluating the effectiveness of your link building efforts,
    look at the following indicators:

    – Domain Rating
    – PA
    – Amount of linking domains
    – Authority of hyperlinks
    – Traffic coming from links

    ### Tweaking Your Strategy

    According to the information collected from your evaluation, adjust your link building strategy to boost its effectiveness.

    This could entail concentrating on other types of content, aiming
    at other platforms, or updating your contact strategy.

    ## Typical Pitfalls in Link Building and How to Overcome Them

    ### Low-Quality Links

    One major typical pitfalls is acquiring low-quality links from unrelated or spammy websites.

    Such hyperlinks might hurt your site’s online presence.

    ### Excessive Optimization

    Utilizing keyword-rich link text too often can result
    in penalties from Bing. Aim for a balanced blend of link text.

    ### Overlooking Nofollow Links

    While nofollow links aren’t pass ranking juice, they can still
    bring traffic and improve recognition.

    ## Emerging Changes in Link Building

    ### Artificial Intelligence and Hyperlink Strategy

    Due to the progress of artificial intelligence,
    link building strategies are getting more sophisticated.

    AI applications can assist in discovering valuable backlink sources and anticipating their effect
    on SEO.

    ### Voice-Activated Search and SEO

    The growth of voice queries will be changing the manner information is retrieved.
    This is expected to impact hyperlink strategies by
    changing importance to natural language and long-tail search
    terms.

    ## Conclusion

    Efficient link building is a vital aspect of search engine optimization. By comprehending the value
    of high-quality links, applying various techniques,
    and continuously evaluating your efforts, you will boost your website’s authority and achieve better results on Google.

    By remaining informed with the most recent changes and preventing typical pitfalls,
    you are able to move through the ever-changing realm of
    search engine optimization and reach enduring performance.

  10. ## Grasping the Value of Link Building

    Link building includes getting backlinks from other websites to your
    own. These backlinks are considered votes of credibility by Google.
    The more high-quality hyperlinks you have, the greater
    your site’s probability of ranking better on SERPs.

    ## Categories of Links

    ### Organic Links

    Organic links are obtained without actions from the site owner.
    These links appear when other sites see your posts valuable and cite it.

    ### Solicited Links

    Manual links involve deliberately seeking links from other sites.
    This can entail emailing influencers, asking for backlinks to your site.

    ### Self-Made Links

    Self-Created links are built by inserting your site’s link
    to forums. While these links can offer a immediate boost, they usually
    include limited quality and can result in sanctions from Google.

    ## Effective Link Building Methods

    ### Article Creation & Marketing

    Creating valuable articles that naturally gains links is a basic technique for effective link building.
    Below are some tips:

    – Write high-quality content that address frequent questions in your industry.

    – Develop charts that display detailed information in an simple manner.

    – Create comprehensive tutorials on subjects that are important to your readers.

    ### Guest Posting

    Guest articles is an additional successful way to acquire
    high-quality backlinks. This involves producing content
    for other publications in your industry. Make sure that your
    guest blogs maintain high value and include a hyperlink to your page.

    ### Broken Link Building

    Broken link fixing is a method that involves finding broken links on other pages and recommending your page as a substitute.
    This not only helps the website owner fix their broken link but further gives you a high-quality hyperlink.

    ### Outreach and Networking

    Building relationships with other site owners in your industry is
    a enduring technique for building links. Below are some steps to consider:

    – Participate in discussion boards related to your niche.

    – Distribute other users’ articles and give useful feedback.

    – Collaborate on collaborative efforts such as research
    studies.

    ### Social Networks

    Distributing your content on social networks can boost its exposure and likelihood to earn hyperlinks.

    Participate with your community on networks like Facebook and Instagram to develop a strong brand.

    ## Evaluating the Performance of Your Link Building
    Strategy

    ### Tools for Link Analysis

    Several software are accessible to aid you assess the performance of your link building strategy.

    Some popular software include:

    – Google’s Analytics
    – Ahrefs’ Site Explorer
    – Moz’s Link Explorer
    – SEMrush’s Backlink Audit
    – Majestic

    ### Measures to Follow

    When evaluating the effectiveness of your link building efforts, look at the following indicators:

    – Domain Authority
    – Page Rating
    – Number of referring domains
    – Quality of links
    – Visitors generated from hyperlinks

    ### Adjusting Your Approach

    Depending on the data collected from your evaluation, tweak your link building plan to boost its effectiveness.
    This could include focusing on different types of posts, aiming at other sites, or
    updating your communication approach.

    ## Common Mistakes in Link Building and How to Overcome Them

    ### Low-Quality Links

    One major frequent pitfalls is acquiring poor links from non-relevant or dubious pages.
    These backlinks can harm your site’s search engine ranking.

    ### Over-Optimization

    Utilizing over-optimized hyperlink text too often can cause punishments from search
    engines. Aim for a balanced blend of anchor text.

    ### Overlooking Nofollow Attributes

    Even though nofollow tags don’t pass ranking juice, they may nonetheless generate traffic and build recognition.

    ## Emerging Trends in Link Building

    ### AI and Hyperlink Strategy

    Due to the evolution of machine learning, link building methods are becoming more complex.
    Artificial intelligence software can assist in discovering high-quality backlink sources and
    forecasting their effect on SEO.

    ### Voice Search and SEO

    The rise of voice queries has been changing
    the method information is retrieved. This is expected to impact
    backlink acquisition by altering emphasis to conversational phrases and
    specific queries.

    ## Summary

    Efficient link building is a crucial component of search engine optimization. By grasping
    the significance of authoritative hyperlinks, using diverse techniques, and continuously monitoring your campaigns, you will enhance your website’s authority and attain better
    positions on Bing.

    By remaining informed with the newest developments and overcoming typical pitfalls, you are able to move
    through the ever-changing realm of search engine optimization and reach sustainable success.

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  20. Music sheets and scores offer the crucial guidance for artists to play pieces precisely.

    Understanding Music Sheets and Scores
    Music sheets and scores comprise the documented notation of musical pieces.

    Elements of Music Sheets and Scores
    1. **Staff:** The lines and spaces used to notate the pitch and duration of notes.

    2. **Clefs:** Symbols used to denote the pitch range of the notes.

    3. **Tones:** The symbols used to indicate the pitch and duration of sounds in music.

    4. **Breaks:** Notations that represent periods of silence.

    5. **Time Signature:** Shows the number of beats in each measure and the note value of each beat.

    6. **Key Signature:** Specifies the scale in which the piece is written.
    7. **Dynamics:** Notations indicating the intensity of the music.

    8. **Phrasing:** Symbols showing the manner of performance
    of notes.
    9. **Speed:** Shows how fast or slow the music
    should be played.
    10. **Ornaments:** Symbols showing extra notes for decorative purposes.

    Reading Music Sheets and Scores
    Reading music sheets and scores demands knowledge of the
    various parts and symbols used.

    Benefits of Learning to Read Music Sheets and Scores
    1. **Enhanced Musical Understanding:** Improved knowledge of music sheets leads to a better grasp of
    music theory.
    2. **Broader Skill Set:** Musicians who read music can play a wider variety of pieces.

    3. **Enhanced Collaboration:** Musicians who read music can collaborate
    more effectively.
    4. **Documentation:** Documenting music through scores ensures its longevity.

    5. **Personal Fulfillment:** Learning to read
    music can be a deeply fulfilling and rewarding experience.

    Tips for Beginners
    1. **Keep it Basic:** Start with the basics before tackling more complex compositions.

    2. **Frequent Practice:** Frequent practice is key to mastering
    music reading.
    3. **Utilize Aids:** Take advantage of available
    resources to aid in learning.
    4. **Seek Support:** Find a group of like-minded individuals to share your
    learning journey.
    5. **Stay Persistent:** Keep trying and don’t give up,
    even when it gets tough.

    Advanced Techniques
    1. **Instant Interpretation:** Instant interpretation of music without needing to practice beforehand.

    2. **Modulating:** Modulating music to a different key.

    3. **Harmonization:** The practice of adding harmonies to a melody.

    4. **Spontaneous Composition:** Ad-libbing music as it is played.

    5. **Expressive Playing:** Adding personal expression to the
    performance of written music.

    Famous Composers and Their Scores
    1. **L. Beethoven:** Famous for his impactful and intricate musical works.

    2. **Mozart:** Celebrated for his clarity, balance, and natural
    elegance in music.
    3. **Bach:** Famous for his intricate and harmonically rich compositions.

    4. **P. I. Tchaikovsky:** Celebrated for his emotional and
    expressive compositions.
    5. **Debussy:** Famous for his impressionistic and evocative compositions.

    Digital vs. Traditional Music Scores
    **Advantages of Digital Scores:**
    – Convenience: Available on multiple platforms.
    – Alteration: Simple to make changes and adjustments.
    – Storage: Easy to store and organize.

    **Advantages of Traditional Scores:**
    – Physical Interaction: Physical interaction with the music.

    – Longevity: Resilient and less prone to digital failures.

    – Aesthetic Appeal: Visually appealing.

    The Role of Technology in Music Scores
    Technology has transformed the way we use music scores.

    **Digital Sheet Music Apps:** Apps designed for digital sheet music make it easier to compose, edit, and share music scores.

    **Online Libraries:** Platforms like IMSLP and Mutopia Project offer vast collections of free and
    public domain sheet music.
    **Interactive Learning Tools:** Tools like SmartMusic and Yousician offer interactive learning experiences
    for musicians of all levels.

    Conclusion
    Music sheets and scores are integral to the art of musical creation.

    Whether you just started or are experienced, knowing how to read and interpret music sheets and scores
    is essential.

    Embrace the path of learning music sheets and scores, and
    discover the potential they offer.

    Music sheets have a long history that spans over ages.

    Early Beginnings
    The initial forms of music notation date back to
    early societies.

    Ancient Greeks created rudimentary music notation systems to document their melodies.

    The Greek Contribution
    The Greeks made notable improvements to music notation.

    Medieval Innovations
    The Middle Ages witnessed substantial progress in music notation.

    The Renaissance Era
    Renaissance period brought a resurgence of music, including music
    notation.

    Baroque and Classical Periods
    During the Baroque periods, music notation advanced further, growing more detailed.

    The Romantic Era
    The Romantic period initiated innovative emotional styles in music notation.

    The Modern Age
    In the 20th century, music notation underwent significant changes, incorporating digital tools.

    The Digital Revolution
    The advent of electronic notation changed the landscape of
    music notation.

    Key Milestones in Music Notation History
    1. **Early Marks:** Ancient Greek symbols that represented musical concepts.

    2. **Guido d’Arezzo:** Invention of the staff and solmization system by Guido d’Arezzo in the 11th century.

    3. **Classical Evolution:** Advancements in notational precision during
    the Renaissance.
    4. **19th Century:** Increased complexity and detail in Romantic
    music notation.
    5. **Contemporary Techniques:** Introduction of graphic scores and experimental notation in the 20th century.

    The Role of Music Sheets in Education
    Music sheets play a important function in music education.

    Notable Composers and Their Contributions
    1. **J.S. Bach:** Renowned for his elaborate and accurate notation techniques.

    2. **Beethoven:** Pioneered expressive notations and dynamic markings.

    3. **Wolfgang Amadeus Mozart:** Excelled in the Classical era’s precise
    and clear notation.
    4. **Frédéric Chopin:** Innovated in the expressive notation for piano compositions.

    5. **Igor Stravinsky:** Known for his groundbreaking 20th-century notational techniques.

    Evolution of Music Sheets in the Digital Age
    The contemporary period has significantly transformed the approach
    we interact with music sheets.

    Future of Music Sheets
    The next era of music sheets promises exciting developments.

    With the evolution of technology, the methods composers use
    to produce and publish music sheets will in parallel progress.

    Conclusion
    The story of music sheets is intricate, mirroring the progress of music itself.

    From primitive notations to digital scores, music sheets have served
    as a vital medium for recording and sharing compositions.

    As we move forward, the legacy of music sheets shall endure, evolving with technological progress.
    }
    Music sheets hold a deep history that extends over centuries.

    Early Beginnings
    The earliest types of music notation trace back to early societies.

    The ancient Mesopotamians designed basic music notation techniques to record their musical practices.

    The Greek Contribution
    The Greeks made notable contributions to music notation.

    Medieval Innovations
    The medieval period witnessed considerable progress
    in music notation.

    The Renaissance Era
    The Renaissance brought a rebirth of art, including music
    notation.

    Baroque and Classical Periods
    During the Classical periods, music notation developed further, becoming more complex.

    The Romantic Era
    The Romantic period initiated novel emotional styles in music notation.

    The Modern Age
    In the modern era, music notation experienced substantial changes, adopting digital tools.

    The Digital Revolution
    The arrival of computer-based scores revolutionized the landscape
    of music notation.

    Key Milestones in Music Notation History
    1. **Early Marks:** Ancient Greek symbols that represented musical concepts.

    2. **Medieval Notation:** Development of staff lines and notation methods
    in medieval Europe.
    3. **Baroque Notation:** Advancements in notational precision during the Renaissance.

    4. **Expressive Notation:** Incorporation of expressive dynamics and
    articulations in the Romantic era.
    5. **Modern Notation:** Adoption of digital notation tools in contemporary music.

    The Role of Music Sheets in Education
    Music sheets serve a vital function in learning music.

    Notable Composers and Their Contributions
    1. **Johann Sebastian Bach:** Famed for his intricate and
    precise notation.
    2. **Beethoven:** Pioneered expressive notations and dynamic markings.

    3. **Wolfgang Amadeus Mozart:** Perfected the Classical approach to
    elegant and clear notation.
    4. **Chopin:** Known for his detailed and expressive piano music notations.

    5. **Igor Stravinsky:** Revolutionized 20th-century notation with his complex scores.

    Evolution of Music Sheets in the Digital Age
    The modern era has profoundly altered the approach we use music
    sheets.

    Future of Music Sheets
    The next era of music sheets promises innovative innovations.

    As technology progresses, the methods composers use to compose and publish music sheets will in parallel
    advance.

    Conclusion
    The history of music sheets is intricate, showcasing the evolution of music itself.

    From primitive notations to electronic sheets, music sheets have been a crucial medium for preserving and sharing melodies.

    As we progress, the story of music sheets shall endure, evolving with
    future advancements. }
    Learning to read music sheets is vital for all
    aspiring musician. | Understanding how to read music sheets is essential
    for all novice musician. | Understanding the art of reading music sheets is
    vital for every beginning musicians.}

    What Are Music Sheets?
    Music sheets act as written down forms of musical notations,
    indicating the note as well as, pace of a music work.

    Getting Started with Music Sheets
    Understanding how to read music sheets begins with becoming familiar with the fundamental
    elements of music notation.

    Understanding Musical Notation
    Musical notation involves several important elements, such as
    the staff, clefs, notes, and rhythms.

    This is is truly the foundation of music
    notation.

    In musical notations, this staff includes five different lines and four different spaces.

    2. **Clefs
    Clefs indicate what note is meant to the five lines as well as, spaces.
    | Clefs denote what note is going to these lines and the five different spaces.
    | This clefs denote to each line and these different spaces.}

    {There {are actually|actually are|is} {two|two
    separate|two distinct} {primary|different|distinct} {clefs|clef|music notes} {used in|used in various|used in the} {music|musical} {notation|notes|notations}.
    | There {are actually|actually are|is} {two|two separate|two distinct} {primary|different|distinct}
    {clefs|musical notes|clef} {used in|used in various|used in the} {notations|music|musical} {of|music} {these notes|these notes}.

  21. Music sheets and scores offer the necessary direction for musicians to
    play pieces correctly.

    Music sheets and scores illustrate how works should
    be played.

    Elements of Music Sheets and Scores
    1. **Stave:** A framework of lines and spaces used to notate musical pitches.

    2. **Clefs:** Symbols used to denote the pitch range
    of the notes.
    3. **Notes:** The symbols used to indicate the pitch and duration of sounds in music.

    4. **Rests:** Symbols used to indicate moments of silence in a piece.

    5. **Time Signature:** Denotes the rhythmic structure of the composition.
    6. **Scale:** Defines the tonality of the piece.

    7. **Volume:** Notations indicating the intensity of the music.

    8. **Expression:** Symbols showing the manner of performance of notes.

    9. **Tempo:** Shows how fast or slow the music should be played.

    10. **Embellishments:** Symbols showing extra notes for decorative purposes.

    Reading Music Sheets and Scores
    Comprehending music sheets and scores demands knowledge of the various
    elements and signs used.

    Benefits of Learning to Read Music Sheets and Scores
    1. **Deeper Comprehension:** Improved knowledge of
    music sheets leads to a better grasp of music theory.

    2. **Broader Skill Set:** Greater flexibility in playing different genres and styles is achieved by reading music.

    3. **Better Communication:** Improved interaction with
    other musicians is possible when reading music.

    4. **Preservation of Music:** Written music preserves compositions for future generations.

    5. **Achievement:** Personal fulfillment is found in the ability to read and interpret music.

    Tips for Beginners
    1. **Start Simple:** Begin with simple pieces and gradually move to more complex ones.

    2. **Consistent Practice:** Frequent practice is key to mastering music reading.

    3. **Utilize Aids:** Many resources are available online to
    help beginners learn to read music.
    4. **Seek Support:** Seek support from others who are also
    learning to read music.
    5. **Stay Persistent:** Stay persistent and don’t get discouraged by challenges.

    Advanced Techniques
    1. **Instant Interpretation:** Instant interpretation of music without needing to practice beforehand.

    2. **Modulating:** The process of changing the key of a piece
    of music.
    3. **Creating Harmonies:** Creating harmonies to complement a primary melody.

    4. **Improvisation:** Creating music spontaneously without prior planning.

    5. **Expressive Playing:** Adding personal expression to
    the performance of written music.

    Famous Composers and Their Scores
    1. **L. Beethoven:** Renowned for his profound and expressive music.

    2. **Wolfgang Amadeus Mozart:** Renowned for his musical brilliance and creativity.

    3. **Johann Sebastian Bach:** Renowned for his complex and polyphonic music.

    4. **Pyotr Ilyich Tchaikovsky:** Famous for his richly
    orchestrated and emotive music.
    5. **C. Debussy:** Known for his unique and expressive musical style.

    Digital vs. Traditional Music Scores
    **Pros of Digital Sheets:**
    – Accessibility: Available on multiple platforms.
    – Editing: Easily editable and modifiable.
    – Storage: Easy to store and organize.

    **Pros of Printed Sheets:**
    – Hands-On: Provides a tangible, hands-on experience.
    – Durability: Stands the test of time.
    – Aesthetic Appeal: Holds artistic and historical significance.

    The Role of Technology in Music Scores
    Technology has transformed the way we interact with music scores.

    **Digital Sheet Music Apps:** Digital sheet music apps provide convenient platforms for composing and distributing
    music.
    **Online Libraries:** Vast collections of sheet music are available
    through online libraries.
    **Interactive Learning Tools:** Interactive learning tools enhance music education.

    Conclusion
    Music sheets and scores are essential to the
    art of music.

    Whether you are starting out or are seasoned, learning how to read and interpret music sheets and scores is
    advantageous.

    Embrace the journey of exploring music sheets and scores, and reveal the potential they offer.

    Music sheets contain a fascinating history that extends across millennia.

    Early Beginnings
    The first types of music notation trace back to ancient civilizations.

    Ancient Mesopotamians developed rudimentary music notation techniques to preserve their rituals.

    The Greek Contribution
    The Greeks made important advancements to music notation.

    Medieval Innovations
    The Middle Ages witnessed considerable advances in music notation.

    The Renaissance Era
    Renaissance period brought a resurgence of music, including
    music notation.

    Baroque and Classical Periods
    During the Baroque periods, music notation developed further, growing more complex.

    The Romantic Era
    The Romantic period brought about innovative emotional methods in music notation.

    The Modern Age
    In the contemporary period, music notation experienced major changes, incorporating technology.

    The Digital Revolution
    The arrival of computer-based scores revolutionized the landscape of music notation.

    Key Milestones in Music Notation History
    1. **Primitive Symbols:** Cuneiform tablets from Mesopotamia
    that documented early music.
    2. **Medieval Notation:** Development of staff lines and notation methods
    in medieval Europe.
    3. **Baroque Notation:** Evolution of musical scores in the
    Classical era.
    4. **Romantic Period:** Incorporation of expressive dynamics and articulations in the Romantic era.

    5. **Contemporary Techniques:** Introduction of graphic scores and
    experimental notation in the 20th century.

    The Role of Music Sheets in Education
    Music sheets act as a important function in learning music.

    Notable Composers and Their Contributions
    1. **Johann Sebastian Bach:** Renowned for his elaborate and
    accurate notation techniques.
    2. **L. Beethoven:** Advanced the use of expressive dynamics
    in notation.
    3. **Mozart:** Mastered the Classical style of clear and elegant notation.

    4. **Frédéric Chopin:** Known for his detailed and expressive piano music notations.

    5. **Stravinsky:** Pioneered 20th-century notational innovations.

    Evolution of Music Sheets in the Digital Age
    The contemporary period has dramatically altered the way we interact with
    music sheets.

    Future of Music Sheets
    The future of music sheets holds exciting advancements.

    As technology keeps to advance, in parallel will the techniques musicians use to compose and
    distribute music sheets.

    Conclusion
    The story of music sheets is rich, mirroring the advancement of music itself.

    From ancient symbols to modern notations, music sheets have been a
    crucial medium for preserving and transmitting compositions.

    As we look ahead, the story of music sheets will continue, changing with technological progress.
    }
    Music sheets hold a intriguing history that spans across centuries.

    Early Beginnings
    The earliest types of music notation trace back to ancient civilizations.

    Ancient Egyptians designed basic music notation techniques to document their musical practices.

    The Greek Contribution
    Greek society made important contributions to music notation.

    Medieval Innovations
    The Dark Ages saw major advances in music notation.

    The Renaissance Era
    Renaissance brought a renewal of culture, including music notation.

    Baroque and Classical Periods
    During the Baroque periods, music notation evolved further,
    growing more detailed.

    The Romantic Era
    The Romantic era brought about innovative expressive techniques in music notation.

    The Modern Age
    In the 20th century, music notation underwent major changes, incorporating digital tools.

    The Digital Revolution
    The introduction of computer-based scores revolutionized the landscape of music notation.

    Key Milestones in Music Notation History
    1. **Early Marks:** Ancient Greek symbols that represented musical concepts.

    2. **Staff Lines:** Development of staff lines and notation methods in medieval Europe.

    3. **Classical Evolution:** Advancements in notational precision during the Renaissance.

    4. **Expressive Notation:** Increased complexity and detail in Romantic
    music notation.
    5. **20th Century:** Adoption of digital notation tools in contemporary music.

    The Role of Music Sheets in Education
    Music sheets act as a crucial part in music
    education.

    Notable Composers and Their Contributions
    1. **Bach:** Renowned for his elaborate and accurate notation techniques.

    2. **Beethoven:** Innovated in the use of dynamic and expressive notations.

    3. **Mozart:** Perfected the Classical approach to elegant and clear notation.
    4. **Frédéric Chopin:** Innovated in the expressive
    notation for piano compositions.
    5. **I. Stravinsky:** Known for his groundbreaking 20th-century notational techniques.

    Evolution of Music Sheets in the Digital Age
    The contemporary period has profoundly transformed the way
    we interact with music sheets.

    Future of Music Sheets
    The next era of music sheets foresees exciting advancements.

    As technology proceeds to progress, in parallel will the
    methods artists use to produce and publish music sheets.

    Conclusion
    The journey of music sheets holds depth, mirroring the progress of music itself.

    From ancient symbols to electronic sheets, music sheets have been a vital
    means for preserving and sharing musical ideas.

    As we progress, the legacy of music sheets will continue, changing with each new
    era. }
    Understanding music sheets is vital for every aspiring musician.
    | Learning how to read music sheets is crucial for any aspiring musician. |
    Understanding the art of reading music sheets is crucial for any aspiring musicians.}

    What Are Music Sheets?
    Music sheets act as written representations of music notation, showing the note as well
    as rhythm of a music work.

    Getting Started with Music Sheets
    Learning reading music sheets begins with becoming familiar
    with the fundamental elements of musical notation.

    Understanding Musical Notation
    Musical notation involves a few crucial components, such as notes, staff, rhythms, and clefs.

    This is is the foundation of musical notation.

    In that musical notations, this is consists of five different lines and also four spaces.

    2. **Clefs
    This indicate what note is going to the different lines
    and spaces. | Clefs indicate what note is going to the lines as well as these five spaces.
    | This clefs is meant to each line as well as spaces.}

    {There {are actually|actually are|is} {two|two separate|two distinct} {primary|different|distinct} {clefs|clef|music
    notes} {used in|used in various|used in the} {music|musical} {notation|notes|notations}.

    | There {are actually|actually are|is} {two|two separate|two distinct} {primary|different|distinct} {clefs|musical notes|clef} {used in|used in various|used in the} {notations|music|musical} {of|music} {these notes|these notes}.

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  31. Launching a t-shirt store is an rewarding opportunity for business
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