HRVATSKI NARODNO OTPOR – ZALOG HRVATSKE BUDUĆNOSTO, pismo hrvatskim radnicima…

                                                                 Midland, Tekas, 20 studenoga 1983.
Pismo hrvatskim javnim radnicima,

       

HRVATSKI NARODNI OTPOR – ZALOG HRVATSKE BUDUĆNOSTI 

 Kao dio povijesti donosim jedno pismo koje sam pisao dvanaestorici (12)  Hrvata koji su u ta vremena nešto značili u svojoj zajednici i u hrvatskoj političkoj emigraciji. Poslije hapšenja 1980. i 1981. i njujorških procesa članovima Hrvatskog Narodnog Otpora, HNO., velike su napetosti vladale među Hrvatima u hrvatskim zajednicama. S razlogom ili bez razloga tih napetosti, naš zajednički neprijatelj je svakako od veselja ruke trljao, jer je uspio zavaditi Hrvate. Baš poradi toga donosim ovo pismu hrvatskom općinstvu na čitanje da se upoznaju kako je prije bilo i da usporede kako je danas, 39 godina i 8 mjeseci poslije pisanja ovog pisma. Kako sam ja autor ovog pisma i ako se potreba ukaže nešto nadodati, to ću rado učiniti. Ispod kopije ovog pisma od 8 stranica, prepisivam ovo pismo. Hvala svima na strpljenju i na hrvatskom razumijevanju.
Mile Boban, Otporaš.
      Kroz stoljeća Hrvati su se borili za svoju državnost, Džavu Hrvatsku. Bilo je pada i uspona, nagodba i sporazuma sa strancima, poraza i pobjeda na bojnom polju, raznih načina borbe i još različitih oblika djelovanja kroz različita povijesna vremenska razdoblja i odraze. Na žrtve se nije računalo toliko koliko se je računalo na očuvanje hrvatskog imena, dostojanstva i opstanka. Ako je ijedan narod obilovao “kamikazama” za očuvanje svojeg naroda, onda za sigurno je to hrvatski narod, koji je kroz prošlost upravo poklanjao svoje živote na Oltar domovine Hrvatske.
      Hrvatska je za strance uvijek bila kao jedna lijepa i dražesna djevojka, na koju mladići trzaju, za koju se mladići svađaju, potuku i čak se pobiju. Zato nije niti čudo da su se Hrvati kroz stoljeća grčevito borili za očuvanje časti te lijepe i dražesne djevojke-Hrvatske. Kroz tu časnu stoljetnu borbu Hrvati su dobili ime “Predziđe kršćanstva” = “Antemurale Christianitatis” od Sv. Stolice Pape Lav X. dao Hrvatskoj godine 1519. u pismu banu Petru Berislaviću, veliki Napoleon Hrvate je nazvao najboljim ratnicima.
      Ovakovim odlikama malo koji narod se može pohvaliti. Hrvati su se zanosili ovakovim častima i pohvalama, neustrašivi u borbama bili, bitke dobivali a ratove gubili, dok su se drugi izmotavali, kukavice u borbama bili, ali su za to znali državnost i državu sačuvati.
      Uočivši stoljetne pogriješke i vlastite zablude, desetotravanjski naraštaj 1941. godine uzima inicijativu u vlastite ruke i proglašava Državu Hrvatsku na cijelom etničkom i povijesnom području. Uz najbolju želju nemoguće je opisati oduševljenje i veselje hrvatskog naroda. Neprijatelj to nije mogao prihvatiti kao jednu nuždu i povijesnu činjenicu, te se svim snagama baca na rušenje mlade hrvatske Drave, odmah u početku, ne dajući toliko vremena da se pučanstvu dozvoli normalizirati život.
      Hrvatski čovjek je bio zadovoljan svojom hrvatskom državom i nije mislio na ono najgore koje bi ga moglo zadesiti. Tu i tamo nemiri koji su se dešavali u pojedinim područjima hrvatske države su pripadali nadzoru hrvatskih redarstvenih i civilnih vlasti. U početku nitko nije mislio da će se morati mobilizirati cijeli hrvatski narod za očuvanje vlastite njegove države. Nikakva zabrinutost se nije primjećivala. Seljaci su bili veseli time što svojim plugom oru svoju zemlju, koju orao plitko ili duboko, sijao lijevom ili desnom rukom, plod je rađao i bio obilat. radnici i obrtnici se takmičili u svojim proizvodnjama, zidari i građevinari punim zamahom počeli izgrađivati hrvatsku, studenti počeli pohađati škole a profesori vršiti svoje profesorsko zvanje, školska djeca počela učiti u Hrvatskoj, u školskim klupama recitirati pjesme hrvatskih pisaca, u školskim dvorištima se vježbaju budući hrvatski glazbenici, koji će u raznim prigodama nastupiti, prikazujući slavu naših djedova, visoko uzdizati stijeg hrvatske okrvavljene, izranjene ali nikad pobjeđene zastave, hrvatski mladići se regrutiraju u hrvatske vojne postrojbe, djevojke se udavaju a babe unučad čuvaju. Sve je to tako zamišljao hrvatski mirni čovjek; u miru živjeti i u miru svoju djecu odgajati.
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                                                   OSTATCI  OSTATAKA
      Hrvatske vlasti su zvale “ostatci ostataka” pripadnike jugoslavenske kraljevske vojske koji nisu htjeli položiti oružje kada je kapitulirala jugoslavenska vlada i kada je prestala postojati Jugoslavija, država S.H.S., već su sa oružjem otišli u šume, formirali posebne vojne odrede, prozvali se četnicima, stvorili savez sa komunistima, Titovim partizanima, i tako udruženi u jednoj ideji nemilosrdno su svim sredstvima počeli rušiti hrvatsku u pelenima mladu državu.
      ovdje treba istaknuti da su sva bivša predstavništva kraljevine Jugoslavije i dalje ostala u službi koncepcije jugoslavenskih interesa, kojima je saveznička diplomatska mreža vjerovala. na veliku žalost u toj službi je bilo i hrvata koje su Srbi za jugoslavenske interese iskoristili do maksimuma kod međunarodnih krugova. To je hrvatska vlada odmah osjetila, jer su saveznici na zagovor jugoslavenske vlade iz Londona, obilato potpomagali Dražu Mihailovića. Na račun hrvatske vlade a pogotovu hrvatske vojske fabricirale su se makinacije i stravične priče najgore vrsti. Sve je to nepovoljno utjecalo na razvoj događaja u Hrvatskoj da su se mnogi Hrvati pokolebali i počeli boriti protiv vlastite Države Hrvatske. Naravno da je hrvatska državna vlad sve moguće poduzimala kako prikazati pravo stanje stvari i normalizirati život građanstvu Hrvatske
      Uzevši u obzir sve napore hrvatske državne vlade da prikaže pravo stanje stvari, neprijateljski cilj i svrha bili su jači od naše hrvatske istine, isto kao što i danas u hrvatskim zajednicama u slobodnom svijetu vlada među Hrvatima. Program Hrvatskog Narodnog Otpora je poznat Hrvatima i ne Hrvatima u borbi za ponovnu Obnovu Hrvatske Države. To zna Beograd, to zna Washington, to zna London, to zna Pariz, to zna Rim, Moskva i Zagreb, pa i oni koji se javno ne ističu kao Beograd i Washington itd.
      Iz dana u dan  mržnje i neprijateljstva prema hrvatskoj državi su usporedo resle. na neprijateljske iskonstruirane laži mnogi Hrvati su počeli gubiti vjeru u svoju vladu i vojsku. To nepovjerenje se je u više slučajeva pojavljivalo između hrvatskih dobrovoljačkih i regularnih postrojbi do te mjere, da su ovi posljedni u jedinicama neprijatelju prelazili. neprijatelj je bio lukaviji, perfidniji i znao kako će iskoristiti hrvatsku glupost, i hrvatske pjesnike sa sobom u šume povesti, narodu reći da su oni pravi predstavnici hrvatskog naroda, a ne oni u Zagrebu. Na koncu to se je i dogodilo.
      U takvom napetom stanju hrvatska državna vlada osniva hrvatski narodni Odpor koji će biti zaštitnica svim hrvatskim oružanim snagama. Biraju se najbolji među najboljima u jedinice obrane kojom je zapovjedao hrvatski general Vjekoslav Maks Luburić. jedinice Obrane se povećavaju onim hrvatskim borcima koji su imali za motto: “Glavo moja nisam kopo zate, da Bog date raznile granate”. Zato je HNO još u ona vremena bio prvi koji nije žalio ni krvi ni truda za očuvanje Hrvatske Države. hrvatski Narodni Otpor je bio prvi koji nije vjerovao u nikakvo povlačenje,. nije vjerovao u savezničku riječ i iskrenost, nije vjerovao u fantazije i uspavalačke romatične priče. Pročitajte knjigu “Misija u Hrvatskoj”.
      Jest, HNO je bio prvi koji je vjerovao da se Hrvatska može spasiti vlastitim snagama. To je on onda vjrovao, to on i danas vjeruje i u tome se HNO neće nikada promijeniti. To znaju državotvorni hrvati, to znaju neprijatelji Hrvatske, to zna i godp. Stuart Baskin kojeg su Hrvati prozvali drugim Jakovom Blaževićem. (Ovdje pojašnjenje. Stuart Baskin je bio javni tužitelj protiv deset (10) optuženih Hrvata, članova organizacije HNO., koji su od utorka 16 veljače do 15 svibnja 1982. godine bili u Njujorku na sudu, a kojeg su Hrvati prozvali Jakovom Blaževićem koji je bio javni tužitelj protiv nadbiskupa Alojzije Stepinca, mo. Mile.) Drugom riječju, da to znaju oni koji uistinu i trebaju znati da je stafv HNO državotvoran i sveopće hrvatski.
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      Kada se govori o HNO onda se treba znati da je on bio prvi koji je zagovarao da se oružje na Bleiburgu ne polaže, već da se sa cijelom ratnom opremom krene u hrvatske šume i nastavi borbu do konačne pobjede. Iz današnje perspektive gledanja na prošlost, nemoguće je reći da li bi bilo bolje ili tragičnije nego što je bilo, da je cijela hrvatska vojska  slijedila primjer HNO. Samo se zna toliko da su jedinice Obrane, koje su bile sastavni dio HNO, odbile predaju, povukle se u šume iz koje su više od dvije godine zaštićivale hrvatsko pučanstvo od partizansko-oznaškog nasilja. Uostalom to je bila i zadać pripadnika HNO čuvati interese hrvatskog naroda i živote Hrvata.
      U emigraciji HNO je bio prvi koji je počeo prikupljati preživjele hrvatske borce, dizati im klonuli moral, ukazivati na propuste i pogreške koje su uzrokovale propast Hrvatske Države, tješitit razočarane, hrabriti uplašene, razumijeti zalutale, oprostiti zavedenima. dijalog voditi sa svakim Hrvatom koji je za Hrvatsku Državu. Mnogi će se sjetiti da je HNO uvijek bio prvi u obrani časti svakog hrvatskog vojnika i Hrvata. HNO je bio glavna čestica hrvatske državne vlade koju je predstavljao Poglavnik dr. Ante Pavelić, s kojim se je on prvi razišao 1956. gdo. (To je bio Maks Luburić, mo. Otporaš.) Taj razlaz nije bio rodoljubne naravi, kako su to neke usijane glave u ustaškom pokretu htjele prikazati, već taktičke naravi.
      Progoni, nasilja i zatvaranje Hrvata u porobljenoj domovini su natjerali mnoge mlade Hrvate u izbjeglištvo, u emigraciju. mnogi nikada nisu čuli za HNO, za razne ustaške prvake, za ideološku pocijepljenost među hrvatima, za razlike sa kojima su se suočili u svojim prvim emigrantskim danima života. Mnogi su lutali od jedne veličine do druge kako bi pronašli sami sebe. U tom lutanju svaki je Hrvat nosio uz svoje hrvatstvo i svoju ideju, za koju je uvijek bio spreman drugome nos razbiti ako ovaj ne misli kao on. I to se je dešavalo! Ali dešavalo se je i to da su isti ti mladi novodošli emigranti Hrvati znali suzbijati jugoslavenska nasilja i teror nad Hrvatima u tuđoj zemlji. I bez obzira na posljedice, i tko je bio u pravu a tko ne, da li se je smjelo to učiniti ili ne, HNO je uvijek bio prvi koji je uzeo u obranu te mlade Hrvate, neračunajući na to kome dotični pripadaju. Primjer nam je sin hrvatskog partizana Miro barešić.
      Sjetimo se mehlemskog slučaja iz 1962. godine kada su dvadest i šest Hrvata napali jugoslavensko špijunsko gnijezdo, da su skoro svi ti ljudi bili članovi HOP-a. Njihov tadašnji predsjednik, sada pok. dr. Stjepan hefer, ih se je javno odrekao i čin osudio kao terorističko i zločinačko djelo. HNO je opet bio prvi koji je te Hrvate uzeo u zaštitu, trčao lijevo i desno, od jednog Hrvata do drugoga, kako bi se što bolje moglo pomoći ugroženim mladićima. I ja sam bio jedan od onih koji su sakupljali doprinose za obranu, i znam kako su se stvari odvijale. Tko ne vjeruje naka prelista emigrantski tisak, posebice novinu Obrana, te se sam uvjeri.
      HNO je bio prvi koji je pozvao na suradnju hrvatske komuniste, bio prvi koji je pruđio ruku pomirnicu svima, bio prvi koji je pozivao hrvate u egzilu da si stvore političko predstavništvo, jedno političko tijelo koje će predstavljati Hrvate u stranom svijetu, bio prvi zagovornik osnutak HNV u Njujorku 1962., bio prvi spreman na svaku moguću žrtvu samo da se dođe do jednog zajedničkog djelovanja svih hrvata.
      Rad i djelovanje HNO su Hrvati u domovini pozdravljali i bit će teško proračunati
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 koliku je ulogu imao u stvaranju “Deklaracije Hrvatskog Književnog Jezika” u ožujku 1967. god. Ali zato neće biti teško reći da je HNO bio prvi koji je dao podršku potpisnicima i pozdravio njihov hrvatski i junački nastup, odobrio njihov rad, dok su se mnogi u emigraciji izživljavali, sumnjičavo gledali na stvar zbog Miroslava Krleže i još nekih, osuđivali HNO kao prokomunistička agentura, napadali generala Luburića zbog podrške potpisnicima i zbog pomirbenog stava sa hrvatskim komunistima, sami sebe pitali: “Kuda ide HNO Maksa Luburića”?
      Zajednica samostalnih pisaca “Tin Ujević” je počela 1968. god. izdavati jednu hrvatsku novinu “Hrvatski Književni List”. I opet kao po nekom zacrtanom pravilu, HNO je bio prvi koji je to pozdravio, najpovoljnije komentirao u izdanjima “Drinapressa”, a novina Obrana potpuno pretiskala broj 6 “Hrvatskog Književnog Lista” i predlagao da bi se svaki hrvatski javni radnik trebao pretplatiti na taj list, pomoći tim odvažnim Hrvatima u njihovu poslu. I kada su komunističke udbaške vlasti u Zagrebu zaplijenile šesti broj HKL., HNO je bio prvi u emigraciji koji je taj zabranjeni br. u cijelosti pretiskao u novini Obrana i Hrvate upoznao o sadržaju tog broja. kasnije je to učinila i NH iz Londona.
      Prikladna promidžba HNO je zainteresirala Hrvate u iseljeništvu i u domovini. Sjetimo se žučljivig rasprava u savezu komunista hrvatske u to doba, sjetimo se dnevnih izjava najodgovornijih rukovodilaca u partiji, koji govore da postoji jedna struja u emigraciji koja ih kopira i koja želi sprovesti socijalnu ravnopravnost. neće biti teškopogoditi da se je to odnosilo na HNO, koji je uistinu prvi zagovarao socijalnu ravnopravnost prema svakome građanu Hrvatske.
      Mnogi Hrvati a posebno članovi HNO su bili zadojeni pomirbenim stavom HNO, vjerovali u program socijalne ravnopravnosti HNO, širili i zastupali ideju HNO, “da sinovi bivših partizana i bivših ustaša moraju se boriti rame uz rame za budućnost hrvatske”. I najbolji dokaz da je ta lozinka neprijatelju hrvatske toliko smetala je taj, da je neprijatelj odlušio ubiti zapovjednika HNO, generala Luburića, što mu i uspjeva dana 20 travnja 1969. Ali to nije bilo dovoljno. HNO je bio prvi na metu neprijatelju, i treba likvidirati sve one koji nesustavno zastupaju ideju “Hrvatskog Izmirenja” kojeg je začetnik general Luburiča. Najviše ubijeni Hrvata u emigraciji su bili članovi HNO.
      Ima jedna pojava u hrvatskoj emigraciji koja mnogo smeta hrvatskom jedinstvu, hrvatskom zajedničkom nastupu na polju narodnog osloboditeljskog djelovanja. Ta pojava se očituje kod onih Hrvata koji volje i ljube Hrvatsku više od samoga sebe, spremni su svaku moguću žrtvu, besplatno troše svoje dragocjeno vrijeme u promicanju hrvatskog imena, bilo među strancima, bilo među samim sunarodnjacima Hrvatima, bilo u pomaganju bilo kakve nužde u zajednici u kojoj živi, troše teško zarađeni novac u karitativne hrvatske potrebe i živo se zauzimaju za oslobođenje Hrvatske. Sve te odlike i vrline koje ti hrvati posjeduju ne daju im pravo da se bave narodnom politikom ako za to nemaju smisla, nemaju nadarenosti za politiku. Ali to nije niti važno kod takovih Hrvata. Važno je da su oni žrtve hrvatskog rodoljubstva, prvi u isticanju i darežljivosti, što – po njihovoj logici – im ne sumnjivo daje pravo da budu prvi i u politici. S tog gledišta će se uvijek naći poštenih prijatelja i
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Hrvata koji će zastupati mišljenje takovih Hrvata, pa i uz cijenu da sve ide u vodu. Takve Hrvate se obično naziva “takojevići” koji zbog bilo kojih razloga ne žele sagledati činjenici u oči i promijeniti prvobitno mišljenje. Svakako je tu posrijedi manjkavost ideja, a čovjek bez ideje je čovjek bez glave.
      U nizu tolikih hrvatskih društava, organizacija, ustanova i pokreta, HNO je prvi koji ne pati od političke veličine, prvi koji politiku prepušta onima koji za nju imaju dar, smisao za nju i znanje. političar ne mora biti sveznadar, znati govoriti nekoliko svjetskih jezika, poznavati književnost drugih naroda, zapamtiti izreke znamenitih filozofa i pisaca, znati recitirati povijesne događaje i datume istih, znati na pamet udaljenost između glavnih gradova u svijetu; ne mora znati tko je koliko zlatnih i srebrnih medelja odnio na zadnjim olimpijskim igrama i tko je postao prvak u svjetskom nogometnom prvenstvu. Dobar političar je onaj koji u podne-polnoći zna grčevito braniti interese svojeg naroda, zna savršeno što narodu treba, strance zna uvjeriti u nacionalno državne potrebe svojeg naroda, svoju narodnu politiku zna drugim političarima prodati kao što dobar trgovac zna svoj produkt na tržištu dobro drugim konkurentima prodati itd. Popuniti te grane znanja, dobar političar će imati savjetnike, povjesničare, profesore, tehničare, geometre i sve one koji mu budu trebali.
      Tu i jest prednost HNO da je već davno shvatio razliku između onih koji žele svoju glavu napuniti svim mogućim zvanjima kako bi se što lakše umilili i prodali Hrvatima da su sa svojim znanjema kvalificirani i politikom se baviti, politiku voditi. Svakome je dopušteno politiku pratiti, politiku proučavati, politiku študirati i naučiti pomicati političke figure u političkom šahu. Ali nekima to ne ide, pa ne ide! Zato HNO ne pretendira za političkom stolicom bilo u emigraciji, bilo u domovini, već pretendira za narodnim – a ako hoćete i političkim – jedinstvom, u kojem leži sva hrvatska snaga.

      Prisjetimo se Mire Barešića, Brajkovića i drugih iz godine 1971. u Švedskoj kakve su sve pohvale i negodovanja kolaki u iseljeništvu. HNO je opet bio prvi koji je bez ikakve rezerve podržao taj podhvat, stupio odmah u djelatnost prikupljanja sredstava za adekvatnu obranu. Isti stav je HNO zauzeo 1972. prilikom oslobođenja hrvatskih zatočenika iz švedskih zatvora, i prvi  (Za bolje razumijevanje, danas nedjelja 19 ožujka 2023., 39 godina i 8 mjeseci prilažem sliku značke HNO.  kao i malo povijesti ove značke.Tomislav Rebrina je bio vođa te operacije. Rodio se je u selu Brdima kod Kupresa 1936. godine. Za vrijeme Jugoslavije zloglasna UDBA ga je zatvarala i proganjala. Zbog toga je bio prisiljen napustiti Hrvatsku. Došao je koncem kolovoza 1963. godine u Švedsku. Tu se je povezao s Pročelnikom HNO Stipom Mikulićem i drugim članovima organizacije HNO. u Švedskoj.Radi sprječavanja izručenja Jugoslaviji hrvatskih emigranata ((1) Miro Barešić, (2) Anđelko Brajković, (3) Ante Stojanov, (4) Blago Mikulić, (5) Marinko Lemo, (6) Stanislav Miličević) koji su bili zatvoreni u Švedskoj, jer ih je u Jugoslaviji sigurno čekala smrtna kazna, odlučio se na tu akciju, jer su sva nastojanja diplomatske aktivnosti hrvatskih iseljenika prošle bezuspješno. Želeći pomoći svojim prijateljima da ih švedske vlasti ne izruče Jugoslaviji na sigurnu smrt, (1) Tomislav Rebrina, (2) Rudolf Prskalo i (3) Nikola Lisac su sve  stavili na kocku, pa i svoje živote. Odlučili su se na ovaj očajnički potez, iako su znali i bili svijestni da je to jedno krivično i kažnjeno djelo.

Dana 15. rujna 1972. godine Tomislav Rebrina zajedno s Rudolfom Prskalom i Nikolom Liscem u Goteborgu su prisilili švedski zrakoplov. Skoro sva hrvatska društva i udruženja u Švedskoj su mnogo puta pokušavali razgovarati s visokim švedskim državnim dužnosnicima, poimenice s ondašnjim premijerom Olofom Palmeom, kraljem Gustavom, no sve je bilo bezuspješno. Kad se nije moglo na taj način, kada su isrcpili sve druge mogućnosti, Hrvati hrvatskih državotvornih osjećaja su se odlučili prisiliti švedski zrakoplov iz Goteborg-a za Madrid i tim činom spriječiti švedske vlasti za izručiti spomenute Hrvate Jugoslaviji. Svakako da je ta akcija Tomislava Rebrine uspijela spasiti od sigurnog isručenja gore navedene Hrvate iz Švedske u Jugoslaviju, i tako spasila njihove živote, mo. Mile Boban, Otporaš.

 

ZNAČKA –  GOTEBORG – MADRID 1972. U SLUŽBI HRVATSKE

GRB HRVATSKOG NARODNOG OTPORA: “SVE ZA HRVATSKU”. 

 

image.png
 stao sabirati doprinose za odvjetničke troškove u Madridu, dok su se mnogi izmotavali raznim isprikama neugodnosti. Leđa članova HNO su uvijek bili na raspolaganju za obranu časti hrvatskih zatvorenika i boraca, pa ako je to smrtni grijeh, mi ga se ne odričemo i rado ga prihvaćamo.
      isti stav je zauzeo HNO i za bugojanske gerilce i branio njihov podhvat do zadnjeg otoma, dok su neki hrvatski emigrantski “političari” omalovažavali njihovo djelo, pripisivali ga udbi, nazivali ga raznim “Polarkama” i tako zbunjivali one koji su u Hrvatsku vjerovali samo kroz snagu hrvatske mišice.
      OsnivanjemHNV u Torontu 1974. god. HNO je bio medju prvim osnivačima kako bi mi pomogao nositi teški hrvatski osloboditeljski emigrantski Križ. među prvima je podržao podhvat Zvonka Bušića i njegove petorke. Nikada i ni u kakvoj prilici nije posumnjao u dobronamjernost njegova podhvata, već se nadljudski zauzimao oko prikupljanja sredstava za obranu i za sve druge moralne i materijalne potrebe.
                                            šesta strana
      Kada se radi o žrtvi za Hrvatsku, tada HNO ne pita koja je to skupina učinila i kojoj organizaciji počinitelji pripadaju. Djelatni Hrvati u iseljeništvu su se mogli uvjeriti toliko puta koliko god puta se je potreba ukazala da članovi HNO priskaču odmah u pomoć, ne čekajući pozitivne  ili negativne reakcije. Najbolje to može posvjedočiti Marijan Buconjić i njegovi prijatelji u podhvatu na jugoslavensku Misiju u Njujorku 1977. god. Tada se nije gledalo tko je član HRS a tko je HNO, već kako što doličnije pomoći u spasavanju braće Hrvata. U ovakovim potrebamam se iskazuje pravo i istinito rodoljubstvo – hrvatstvo, a ne stranačarstvo, što su u mnogim slučajevima obje organizacije nesebično potvrdile.
      Sjetimo se akcije Bože Kelave i Mile Kodžomana u Chicagu 1977. god. I ovoga puta HNO je prednjačio u prikupljanju svih mogućih sredstava za obranu dvojice hrvatskih rodoljuba. Čak i gosp. Stuart Baskin (javni tužitelj desetorici Hrvata na sudu u Njujorku od 16 veljače do 15 svibnja 1982., mo.. Mile.) je nastojao potkrijepiti svoju optužnicu protiv desetorice Hrvata ovim aktom, što mu na sreću nije uspjelo poradi pomanjkanja činjenica i dokaza. U nizu tolikih puta i ovoga puta HNO je bio prvi pomoći braći Hrvatima u nevolji i potrebi.
      Tragični dogadjaji u Americi su opravdano uznemirili Hrvate: U toj paničnoj psihozi mnogi Hrvati su iz prve ruke optuživali HNO i njegove članove, što je sve malo po malo zauzelo široke razmjere u hrvatskom izbjegličkom životu. ja sam u intervju sa novinarom randy hagiharom za glandelsku novinu Los Angelesa izjavio da je udba poslala 19 izvježbanih ubojica na sjeveroamerički kontinent, i da su sam do tog izvora došao kada sam bio u Parizu na pogrebu pok. Bruni Bušiću. To sam saznao od tamošnjih Hrvata koji su imali podatke iz prve ruke. ja u to vrijeme nisam znao za pismo koje je iz Los Angelesa poslao mostarskoj udbi Krešo Šimović u rujnu 1978. god. i potpisao se “Petar”. To pismo očito govori o povezanosti udbe sa Hrvatima u Los Angelesu i koencidira sa izjavom koju sam dao glendelskim novinama, a čikaška “Danica” objavila u cijelosti taj intervju u siječnju 1979.
      Na sve intezivniji pritisak na HNo sa strane FBI s jedne strane i X pojedinih Hrvata i nekih društava, organizacija i ustanova s druge strane, od svih hrvatskih službenih ustanova, HNO je prvi postao meta nepovjerenja, napadaja i mržnje. javno se je tražilood HNO da osudi hrvatske borce, da ih se prijavljuje stranim vlastima zbog njihova osloboditeljskog mišljenja i osloboditeljske ideje. Tradicija HNO nije nikoga osuđivati, već hrvatske borce pomagati. javno se je tražilo da istupimo protiv Mire Barešića i Ivana Vuičevića, jer da su oni počinitelji ubojstava po Americi. kad na knocu konca američki sud ih nalazi nedužnima i pušta ih na slobodu. I tu je HNO bio prvi koji je vjerovao hrvatskom borcu i nije ga napustio, nego hrabro ostao uz njega i njegove patnje.
      U nizu djelatnosti HNOtpor je bio prvi u osnivanju HDP u siječnju 1981. god. u Njujorku. Neka i to bude zabilježeno da je HNO uvijek prvi kada se radi o podizanju hrvatske državotvorne ideje iz mrtvila. jer HNO daje ideje, napada ideje, brani svakog Hrvata i bori se za hrvatsku!
                                                    sedma strana
      Uz sve te nedaće, ljudske mane, vremenske tegobe, HNO je ostao miran i priseban, nije izgubio smisao za život i ravnotežu djelovanja, već je prvi uzeo grijehe drugih na svoja plemenita i plećata leđa, kako je to meni rekao 4. prosinca 1977. god. dr. Andrija Artuković u Los Angelesu nazvao HNO kramp hrvatske borbe, koji na taj način svjedoči hrvatsko poštenje.
      HNO će biti prvi koji će pozdraviti hrvatsko domovinsko državotvorno vodstvo i priključiti mu se bez ikakvih uvjeta i pregovora. (To svjedoči i Prva Konvencija HDZ u Clevelandu 20 i 21 siječnja 1990, kada je pred svima u dvorani Alojzije Stepinac na banketu, nedjelja večer 21. siječnja rekao da su Maks Luburić i on oba hrvatski generali, mo. Mile.) prvi ćemo biti koji ćemo dati podršku domovinskim političarima, jer će oni imati više političkog smisla za hrvatski narod u domovini, nego emigrantski političari sa izoštrenom praksom one sredine u kojoj su živjeli i djelovali.
      HNO će biti prvi od svih hrvatskih društava i organizacija koji će priznati svim stanovnicima hrvatske nacionalnu ravnopravnost kao što priznaje i socijalnu ravnopravnost, kao što će priznati i političku i svaku drugu društvenu ravnopravnost. HNO će biti prvi koji će tražiti jednaku putnicu za svakog građana Hrvatske, u kojoj će biti navedeno da je posjednik putnice “Građanin Hrvatske”, što će kod međunarodnih krugova značiti da je posjednik putnice hrvat. To iziskuje vremenska potreba današnje nužde zbog mnogo nerješenih problema u Hrvatskoj; i ako se bude postupalo po staroj praksi, može se dogoditi da oni koji pod bilo kojim pritiskom napuste zemlju u kojoj su se rodili a ta zemlja je Hrvatska, počmu trađiti pravo na svoju djedovinu u kojoj su se rodili, kao što se danas dešava na srednjem istoku.
      Znam da će sada neki graknuti kao da im se zubi čupaju, jer će iz nepoznavanja stvari zaključiti da je ovo izdaja hrvatskih interesa. naprotiv!
      HNO će biti prvi koji će se boriti protiv toga da jedni vladaju nad drugima, da se jedne oslobodi a druge u ropstvo okuje, HNO će se boriti da svakog građana hrvatske oslobodi i da svaki građanin hrvatske bude toliko slobodan da u svako vrijeme i svugdje može bez straha ispovjedati ono što misli.
      HNO će biti prvi koji će zagovarati da današnji zakoni u Hrvatskoj i dalje ostanu na snagi, kako nam jugoslavenska garnitura kod međunarodnih krugova ne bi prebacivali da smo uveli “ustaške” zakone kojima narod tlačimo kao i za vrijeme rata. Jer jedan zakon protiv naroda i države će i Hrvatskojkasnije trebati, a koji će to član biti neće igrati nikakvu ulogu. Ovakvim postupkom se samo izvija neprijatelju ubojito oružje iz ruku.
      Mnogo sam razmišljao o nemilim događajima koji su zadesili hrvatsku emigraciju u ovih posljednjih nekoliko godina, koji su paralizirali svaki naš zajednički nastup i rad. Zato sam sve ovo naveo iz najiskrenije pobude da se hrvati prisjete što je HNO bio, što on jest danas i što bi on morao biti sutra. HNO ne može postojati sam od sebe. On mora imati podupiratelje, simpatizere i članove da bi mogao vršiti i izvršiti rodoljubnu hrvatsku zadaću za koju je stvoren, upravo će biti 40 godina djelatne egzistencije.
                                                        osma i zadnja strana
      HNO će računati na neugodne aspekte u trađenju puta do Hrvatske Države, računat će na izdaju hrvatskih Azeva, na ljude slaba karaktera, koji nisu ništa gori od onih koji su u prošlosti bile sluge jačih naroda. HNO će računati na manje grijehe koja svaka revolucija za sobom povlači pa tako i hrvatska, računat će na incidente koji ne smiju skrenuti pažnju sa glavnog cilja, a taj je Hrvatska Država.
       Ja sam za HNO osjećao potrebu ovo napisati za sve one koji nas javno napadaju da bi si osigurali mir i neku vrst “masovne” podrške, dok u prijateljskim pismima i u četiri oka nam daju za pravo.
      U redu ovih misli treba imati u vidu još jednu činjenicu da se mi nalazimo u civilizaciji “društva potrošnje”, u koje treba tražiti puteve za hrvatsku budućnost. U protivnom ta “potrošnja” mogla progutati u zaborav hrvatski narod i cijelu njegovu povijest i trinaeststoljetnu kulturu, ako se bezpomoćno nastavimo vrtjeti u začaranom krugu.
      HNO je proti togada ga emigracija imitira, ali je za to da ga domovina imitira, pa će nam biti svejedno ili ćemo biti shvaćeni ili blaćeni, nagrađeni ili proganjani. radi se o Hrvatskoj i ona je “tamo” a ne u emigraciji, kako je to rekao general Drinjanin.
      Ovaj dopis upućujem hrvatskim elitama i snagama koje su negdje svrstane u hrvatskim redovima iz ljubavi za hrvatsku, i onima koji uvijek po hrvatskom izbjegličkom tisku traže “dlaku u jajetu” kako bi mogli “peglati” jedne za račun drugih, kao i onima koji “neće” imati vremena pročitati ovaj dopis samo zato što će biti tiskan u sasopisu “Otpor” i što je predug, a ne za to što im se sadržaj ne bi dopadao.
      na kraju, HNO nije stvoren da bi se izživljavali njegovi članovi i simpatizeri, nego je stvoren da pomogne Hrvatsku Državu stvoriti i njene granice čuvati od svih zavojevača i napadača. U toj zadaći HNO je radio, griješio, padao, ginuo, dizao se i jurišao naprijed, i samo naprijed do ostvarenje Hrvatske države.
                                                     Uz iskrene i prijateljske pozdrave svima.
                                                                            Mile Boban.
                                                                          (potpis rukom)
Poslano:
Miro Barešić,
Nikola Bilandžić,
Vlado Boras,
Dinko Dedić,
Leon Galić,
Vlado Glavaš,
Ante Ljubas,
Mile Markić,
Jozo Matković,
Karlo Sopta,
Nikola Štedul,
Velimir Sulić.

Komentari

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    ### Poor Links

    One major frequent pitfalls is acquiring bad links from unrelated or spammy
    websites. Such backlinks may hurt your webpage’s online presence.

    ### Over-Optimization

    Employing keyword-rich link text excessively can result
    in punishments from Google. Target a balanced mix of anchor text.

    ### Neglecting Nofollow Tags

    While nofollow tags aren’t convey search engine authority,
    they may nonetheless generate visitors and improve brand awareness.

    ## Upcoming Changes in Link Building

    ### Artificial Intelligence and Hyperlink Strategy

    As the evolution of AI, link building methods are
    getting more advanced. AI applications can aid in finding high-quality backlink sources
    and anticipating their impact on search engine
    ranking.

    ### Voice Search and Link Building

    The increase of voice search is altering the method information is accessed.
    This will affect link building by changing importance to conversational queries
    and specific keywords.

    ## Final Thoughts

    Effective link building is a vital part of SEO. By understanding the importance of high-quality
    backlinks, implementing different methods, and regularly
    monitoring your strategies, you can enhance your webpage’s ranking and attain better
    rankings on search engines.

    By keeping updated with the newest trends and preventing typical pitfalls, you are able to move through the
    constantly evolving landscape of SEO and attain sustainable performance.

  15. ## Comprehending the Significance of Link Building

    Link building involves acquiring backlinks from other websites to your own. Those links are considered endorsements of trust by Bing.
    The more authoritative hyperlinks you possess, the greater your site’s probability of ranking
    more prominently on SERPs.

    ## Categories of Hyperlinks

    ### Editorial Links

    Editorial links are earned without requiring
    actions from the webmaster. These links happen when other webmasters find your articles
    valuable and link to it.

    ### Outreach Links

    Solicited links involve deliberately requesting links from other webmasters.
    This can entail reaching out to influencers, soliciting backlinks to your articles.

    ### User-Generated Links

    User-Generated links are made by placing your site’s link to forums.

    Even though these links can give a quick increase, they usually include poor value and
    can lead to punishments from search engines.

    ## Successful Link Building Techniques

    ### Article Creation & Promotion

    Creating valuable articles that organically gains links
    is a basic method for effective link building. Here are some advice:

    – Develop valuable content that solve common questions in your industry.

    – Create infographics that display complex information in an easy-to-understand format.

    – Create detailed tutorials on topics that are thought to be important
    to your audience.

    ### Guest Blogging

    Guest articles is a further efficient way to create high-quality hyperlinks.

    This involves writing content for other publications in your industry.
    Ensure that your guest articles maintain high value
    and contain a backlink to your page.

    ### Broken Link Repairing

    Broken link fixing is a technique that entails locating broken links on other sites and recommending your content as a replacement.

    This does more than helps the site owner fix their broken link but additionally
    provides you a authoritative link.

    ### Connecting and Relationship Building

    Building relationships with other site owners in your field is a
    long-term method for link building. Listed below are some steps to take:

    – Get involved in discussion boards about your field.

    – Distribute other users’ articles and offer valuable feedback.

    – Collaborate on shared efforts such as webinars.

    ### Social Platforms

    Distributing your articles on social networks can increase its exposure and potential to acquire
    backlinks. Participate with your followers on networks like Facebook and Reddit
    to build a solid brand.

    ## Measuring the Performance of Your Link Building Strategy

    ### Applications for Link Analysis

    Numerous tools are available to aid you assess the success of your link building strategy.
    Some well-known software such as:

    – Google Analytics
    – Ahrefs
    – Moz Pro
    – SEMrush’s Tools
    – Majestic SEO

    ### Metrics to Follow

    When evaluating the effectiveness of your link building campaign, consider the following metrics:

    – Domain Authority
    – Page Authority
    – Quantity of referring domains
    – Relevance of backlinks
    – Hits generated from hyperlinks

    ### Modifying Your Plan

    Based on the results collected from your analysis, adjust your link building plan to improve its effectiveness.
    This could include focusing on different categories of
    content, aiming at other websites, or refining your communication approach.

    ## Common Pitfalls in Link Building and How to Avoid Them

    ### Poor Links

    One of the common pitfalls is get poor links from unrelated or low-authority sites.
    These backlinks might hurt your webpage’s online presence.

    ### Over-Optimization

    Employing keyword-rich anchor text excessively can lead
    to penalties from search engines. Strive for a diverse variety of link text.

    ### Neglecting Nofollow Attributes

    Even though nofollow links do not pass ranking juice, they may nonetheless
    bring visitors and improve brand awareness.

    ## Upcoming Trends in Link Building

    ### AI and Link Building

    As the evolution of artificial intelligence, link building
    methods are turning more advanced. Machine learning applications can aid in finding
    relevant hyperlink prospects and anticipating their impact on SEO.

    ### Voice Search and Backlinks

    The increase of voice queries has been altering the manner content is accessed.
    This is likely to affect link building by altering importance to spoken queries and long-tail search terms.

    ## Summary

    Effective link building is a crucial part of SEO. By comprehending the significance of authoritative backlinks, using various techniques, and regularly monitoring
    your efforts, you will improve your webpage’s authority and attain greater positions on search engines.

    By keeping informed with the most recent developments and avoiding typical pitfalls, you can move through the constantly
    evolving landscape of SEO and achieve long-term performance.

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  25. Music sheets and scores work as the guide for musicians.

    Music scores and scores function to interpret musical ideas into a
    readable format.

    Elements of Music Sheets and Scores
    1. **Staff:** The set of five lines and four spaces that represent different musical pitches.

    2. **Symbols:** Symbols used to denote the pitch range
    of the notes.
    3. **Notes:** The symbols used to indicate the pitch and duration of sounds in music.

    4. **Pauses:** Symbols used to indicate moments of silence in a piece.

    5. **Rhythm:** Indicates the metric structure of
    a piece.
    6. **Tonality:** Indicates the key of the music by specifying which notes
    are sharp or flat.
    7. **Intensity:** Symbols showing how loud
    or soft the music should be played.
    8. **Expression:** Symbols showing the manner of performance of notes.

    9. **Tempo:** The speed at which the piece should be performed.

    10. **Decorations:** Indications of additional notes for
    expressive effect.

    Reading Music Sheets and Scores
    Comprehending music sheets and scores demands understanding of the various components
    and notations used.

    Benefits of Learning to Read Music Sheets and Scores
    1. **Enhanced Musical Understanding:** Learning to read music provides a
    deeper comprehension of musical structure.
    2. **Increased Versatility:** Greater flexibility in playing
    different genres and styles is achieved by reading music.
    3. **Improved Interaction:** Improved interaction with other musicians is possible when reading music.

    4. **Preservation of Music:** Documenting music through scores ensures its
    longevity.
    5. **Personal Fulfillment:** Learning to read music can be a deeply fulfilling
    and rewarding experience.

    Tips for Beginners
    1. **Begin with Basics:** Begin with simple pieces and gradually move to more complex ones.

    2. **Consistent Practice:** Frequent practice is key to mastering
    music reading.
    3. **Take Advantage of Tools:** Many resources are available online to help
    beginners learn to read music.
    4. **Join a Community:** Joining a music community can provide support and motivation.

    5. **Stay Persistent:** Keep trying and don’t
    give up, even when it gets tough.

    Advanced Techniques
    1. **On-the-Spot Playing:** On-the-spot playing of music from written notation.
    2. **Modulating:** Modulating music to a different key.

    3. **Harmonization:** The practice of adding harmonies
    to a melody.
    4. **Ad-Libbing:** Ad-libbing music as it is played.

    5. **Interpretation:** Playing written music with personal flair
    and expressiveness.

    Famous Composers and Their Scores
    1. **Beethoven:** Famous for his impactful and intricate musical
    works.
    2. **Mozart:** Renowned for his musical brilliance and creativity.

    3. **Bach:** Known for his masterful use of counterpoint and
    harmony.
    4. **Tchaikovsky:** Known for his ability to
    convey deep emotion through music.
    5. **C. Debussy:** Famous for his impressionistic and evocative compositions.

    Digital vs. Traditional Music Scores
    **Pros of Digital Sheets:**
    – Accessibility: Convenient for on-the-go use.
    – Editing: Simple to make changes and adjustments.
    – Storage: Takes up less physical space.

    **Pros of Printed Sheets:**
    – Hands-On: Physical interaction with the music.
    – Resilience: Resilient and less prone to digital failures.

    – Visual Beauty: Holds artistic and historical significance.

    The Role of Technology in Music Scores
    Technology has changed the way we engage with music scores.

    **Digital Sheet Music Apps:** Apps like MuseScore, Noteflight, and Sibelius offer powerful tools for creating, editing,
    and sharing music scores.
    **Online Libraries:** Online libraries provide access to a wide range of music scores.

    **Interactive Learning Tools:** Technology-based
    tools provide interactive music learning opportunities.

    Conclusion
    Music sheets and scores play a crucial role to the craft of musicianship.

    Whether you are a beginner or have been playing for years, comprehending how to
    read and work with music sheets and scores is a key skill.

    Embrace the process of understanding music sheets and scores, and reveal the potential that lie ahead.

    Music sheets have a long history that spans over ages.

    Early Beginnings
    The initial forms of music notation go back to prehistoric times.

    Ancient Greeks designed basic music notation methods to preserve their rituals.

    The Greek Contribution
    Ancient Greece made significant contributions to music notation.

    Medieval Innovations
    The medieval period witnessed substantial advances in music notation.

    The Renaissance Era
    Renaissance brought a resurgence of art,
    including music notation.

    Baroque and Classical Periods
    During the Baroque periods, music notation evolved further, becoming
    more detailed.

    The Romantic Era
    The Romantic era brought about innovative emotional
    styles in music notation.

    The Modern Age
    In the contemporary period, music notation saw major changes, integrating electronic
    systems.

    The Digital Revolution
    The introduction of electronic notation revolutionized the domain of music notation.

    Key Milestones in Music Notation History
    1. **Primitive Symbols:** Ancient Greek symbols
    that represented musical concepts.
    2. **Guido d’Arezzo:** Invention of the staff and solmization system by Guido d’Arezzo in the 11th century.

    3. **Classical Evolution:** Advancements
    in notational precision during the Renaissance.

    4. **19th Century:** Incorporation of expressive dynamics and
    articulations in the Romantic era.
    5. **Modern Notation:** Revolutionary changes in music notation practices in the modern age.

    The Role of Music Sheets in Education
    Music sheets play a crucial part in music pedagogy.

    Notable Composers and Their Contributions
    1. **Johann Sebastian Bach:** Famed for his intricate and precise notation.
    2. **L. Beethoven:** Pioneered expressive notations and dynamic markings.

    3. **Wolfgang Amadeus Mozart:** Mastered the Classical style
    of clear and elegant notation.
    4. **F. Chopin:** Innovated in the expressive notation for piano compositions.

    5. **I. Stravinsky:** Revolutionized 20th-century notation with his complex scores.

    Evolution of Music Sheets in the Digital Age
    The digital age has significantly altered the method we use music sheets.

    Future of Music Sheets
    The coming age of music sheets holds intriguing developments.

    With the progression of technology, the tools musicians use to produce and share music sheets will so too advance.

    Conclusion
    The story of music sheets is intricate, mirroring the progress of music itself.

    From primitive notations to digital scores, music sheets have functioned as a fundamental means for preserving and sharing compositions.

    As we move forward, the legacy of music sheets shall endure, evolving with
    technological progress.}
    The history of music sheets is a deep tapestry that spans
    across centuries.

    Early Beginnings
    The initial forms of music notation go back to
    early societies.

    Ancient Mesopotamians designed rudimentary music notation methods
    to record their melodies.

    The Greek Contribution
    Ancient Greece made significant improvements to music notation.

    Medieval Innovations
    The Middle Ages witnessed major progress in music notation.

    The Renaissance Era
    Renaissance brought a resurgence of art, including music notation.

    Baroque and Classical Periods
    During the Baroque and Classical periods, music notation developed further, growing more
    detailed.

    The Romantic Era
    The Romantic period brought about novel emotional techniques
    in music notation.

    The Modern Age
    In the contemporary period, music notation saw substantial changes, incorporating technology.

    The Digital Revolution
    The introduction of computer-based scores changed the landscape of music notation.

    Key Milestones in Music Notation History
    1. **Ancient Notations:** Early Egyptian hieroglyphs used to depict music.

    2. **Guido d’Arezzo:** Guido d’Arezzo’s revolutionary contributions to music
    notation.
    3. **The Renaissance:** Evolution of musical scores in the Classical era.

    4. **Romantic Period:** Increased complexity and detail in Romantic music notation.

    5. **20th Century:** Revolutionary changes in music
    notation practices in the modern age.

    The Role of Music Sheets in Education
    Music sheets serve a crucial role in music education.

    Notable Composers and Their Contributions
    1. **J.S. Bach:** Known for his complex and detailed musical scores.

    2. **Beethoven:** Pioneered expressive notations and dynamic markings.

    3. **W.A. Mozart:** Excelled in the Classical era’s precise and clear
    notation.
    4. **F. Chopin:** Innovated in the expressive notation for piano compositions.

    5. **Igor Stravinsky:** Pioneered 20th-century notational innovations.

    Evolution of Music Sheets in the Digital Age
    The digital age has profoundly transformed the way we interact
    with music sheets.

    Future of Music Sheets
    The next era of music sheets holds exciting innovations.

    With the progression of technology, the tools composers use to compose and distribute music sheets will so too advance.

    Conclusion
    The journey of music sheets holds depth, mirroring the evolution of music itself.

    From ancient symbols to digital scores, music sheets have been a vital means for preserving and distributing melodies.

    As we look ahead, the legacy of music sheets will continue, changing with technological progress.
    }
    Understanding music sheets is crucial for every aspiring musician. | Learning how
    to read music sheets is essential for every beginning musician. | Learning the art of reading music sheets is essential for any beginning
    musicians.}

    What Are Music Sheets?
    Music sheets are written down representations of musical notations, showing
    the tone as well as rhythm of a music piece.

    Getting Started with Music Sheets
    Understanding to read music sheets starts with familiarizing yourself with the basic
    elements of music notation.

    Understanding Musical Notation
    Music notation consists of a few crucial components, such as clefs, notes,
    rhythms, and staff.

    1. **The Staff**
    The staff is an important element of musical notations.

    In that music notation, this staff is made up of five distinct different lines and four different spaces.

    2. **Clefs
    This denote the actual note on the staff is
    meant to the different lines and spaces. | This clefs indicate the musical note is going for the lines and the different spaces.
    | This clefs denote for each line and these
    different spaces.}

    {There {are actually|actually are|is} {two|two separate|two distinct}
    {primary|different|distinct} {clefs|clef|music notes} {used in|used in various|used in the} {music|musical} {notation|notes|notations}.
    | There {are actually|actually are|is} {two|two separate|two distinct} {primary|different|distinct}
    {clefs|musical notes|clef} {used in|used in various|used in the} {notations|music|musical} {of|music} {these
    notes|these notes}.

  26. Music sheets and scores create the backbone of musical artistry.

    Understanding Music Sheets and Scores
    Music sheets and scores contain the documented form of
    musical works.

    Elements of Music Sheets and Scores
    1. **Staff:** The lines and spaces used to notate the pitch and duration of notes.

    2. **Clefs:** Signs that designate the pitch range for notes on the staff.

    3. **Pitches:** Representations of musical sound with pitch and duration.
    4. **Breaks:** Symbols used to indicate moments
    of silence in a piece.
    5. **Time Signature:** Shows the number of beats in each measure and
    the note value of each beat.
    6. **Key Signature:** Specifies the scale in which the piece
    is written.
    7. **Volume:** Notations indicating the intensity of the music.

    8. **Articulation:** Symbols showing the manner of performance
    of notes.
    9. **Speed:** The rate of the music’s execution.
    10. **Decorations:** Symbols showing extra notes for decorative purposes.

    Reading Music Sheets and Scores
    Understanding music sheets and scores requires knowledge of the
    various elements and symbols used.

    Benefits of Learning to Read Music Sheets and Scores
    1. **Improved Knowledge:** Learning to read music provides a deeper comprehension of musical
    structure.
    2. **Broader Skill Set:** Musicians who read music can play a wider variety of pieces.

    3. **Better Communication:** Musicians who read music can collaborate more
    effectively.
    4. **Preservation of Music:** Written music preserves compositions for future generations.

    5. **Achievement:** Learning to read music can be a deeply fulfilling
    and rewarding experience.

    Tips for Beginners
    1. **Keep it Basic:** Keep it simple in the beginning to build a
    strong foundation.
    2. **Frequent Practice:** Regular practice is essential for improvement.

    3. **Use Resources:** Many resources are available online to help beginners
    learn to read music.
    4. **Seek Support:** Find a group of like-minded individuals to
    share your learning journey.
    5. **Be Patient:** Learning to read music takes time and effort.

    Advanced Techniques
    1. **On-the-Spot Playing:** Instant interpretation of music without needing to practice beforehand.

    2. **Transposition:** The process of changing the key of
    a piece of music.
    3. **Creating Harmonies:** The practice of adding harmonies to a
    melody.
    4. **Ad-Libbing:** Ad-libbing music as it is played.

    5. **Expressive Playing:** Playing written music with personal flair and expressiveness.

    Famous Composers and Their Scores
    1. **L. Beethoven:** Known for his complex and emotionally powerful compositions.

    2. **W. A. Mozart:** Celebrated for his clarity, balance, and natural elegance in music.

    3. **Bach:** Famous for his intricate and harmonically rich compositions.

    4. **Pyotr Ilyich Tchaikovsky:** Celebrated for his emotional and
    expressive compositions.
    5. **C. Debussy:** Famous for his impressionistic and evocative compositions.

    Digital vs. Traditional Music Scores
    **Pros of Digital Sheets:**
    – Convenience: Available on multiple platforms.

    – Editing: Simple to make changes and adjustments.

    – Capacity: Takes up less physical space.

    **Pros of Printed Sheets:**
    – Tactile Experience: Engaging tactile experience.
    – Longevity: Resilient and less prone to digital failures.

    – Artistic Value: Holds artistic and historical significance.

    The Role of Technology in Music Scores
    Technology has revolutionized the way we use music scores.

    **Digital Sheet Music Apps:** Digital sheet music apps provide convenient platforms for composing and distributing music.

    **Online Libraries:** Vast collections of sheet music are available through online libraries.

    **Interactive Learning Tools:** Technology-based tools provide interactive music learning opportunities.

    Conclusion
    Music sheets and scores are integral to the art of musicianship.

    Whether you are a beginner or an expert, comprehending
    how to read and work with music sheets and scores is a
    valuable skill.

    Embrace the process of exploring music sheets and scores,
    and discover the endless possibilities that lie ahead.

    The history of music sheets is a deep tapestry that extends across
    centuries.

    Early Beginnings
    The earliest forms of music notation trace back to prehistoric times.

    Ancient Egyptians developed simple music notation systems to preserve their rituals.

    The Greek Contribution
    Ancient Greece made significant contributions to music notation.

    Medieval Innovations
    The Dark Ages witnessed considerable progress in music notation.

    The Renaissance Era
    Renaissance brought a resurgence of culture, including music notation.

    Baroque and Classical Periods
    During the Baroque periods, music notation evolved further, becoming increasingly sophisticated.

    The Romantic Era
    The Romantic age ushered in novel expressive styles in music notation.

    The Modern Age
    In the contemporary period, music notation experienced
    substantial changes, adopting technology.

    The Digital Revolution
    The arrival of electronic notation revolutionized the landscape of music notation.

    Key Milestones in Music Notation History
    1. **Early Marks:** Cuneiform tablets from Mesopotamia that documented early music.

    2. **Medieval Notation:** Invention of the
    staff and solmization system by Guido d’Arezzo in the 11th century.

    3. **Baroque Notation:** Development of complex
    notational systems in the Baroque period.
    4. **Expressive Notation:** Increased complexity and detail in Romantic music notation.
    5. **Modern Notation:** Introduction of graphic scores and experimental notation in the
    20th century.

    The Role of Music Sheets in Education
    Music sheets act as a crucial function in learning music.

    Notable Composers and Their Contributions
    1. **Bach:** Famed for his intricate and precise notation.
    2. **Beethoven:** Innovated in the use of dynamic and expressive notations.

    3. **W.A. Mozart:** Excelled in the Classical era’s precise and clear notation.
    4. **Frédéric Chopin:** Known for his detailed and expressive piano music notations.

    5. **Stravinsky:** Pioneered 20th-century notational innovations.

    Evolution of Music Sheets in the Digital
    Age
    The contemporary period has profoundly altered the method we use music
    sheets.

    Future of Music Sheets
    The future of music sheets holds exciting advancements.

    As technology progresses, the methods composers
    use to compose and share music sheets will likewise evolve.

    Conclusion
    The story of music sheets is intricate, showcasing the evolution of music itself.

    From primitive notations to digital scores, music sheets have
    functioned as a crucial medium for documenting and distributing melodies.

    As we look ahead, the story of music sheets will persist, adapting with technological
    progress. }
    The history of music sheets is a deep tapestry that stretches across millennia.

    Early Beginnings
    The earliest versions of music notation date back to prehistoric times.

    Ancient Greeks developed rudimentary music notation systems to record their musical practices.

    The Greek Contribution
    Greek society made significant improvements to music notation.

    Medieval Innovations
    The medieval period saw major developments in music notation.

    The Renaissance Era
    Renaissance brought a renewal of culture, including music notation.

    Baroque and Classical Periods
    During the Baroque periods, music notation evolved further,
    becoming increasingly complex.

    The Romantic Era
    The Romantic age initiated novel expressive techniques in music notation.

    The Modern Age
    In the 20th century, music notation saw major changes, adopting digital tools.

    The Digital Revolution
    The arrival of digital music changed the landscape of music notation.

    Key Milestones in Music Notation History
    1. **Early Marks:** Ancient Greek symbols that represented musical concepts.

    2. **Guido d’Arezzo:** Development of staff lines and notation methods
    in medieval Europe.
    3. **Baroque Notation:** Evolution of musical scores in the Classical era.

    4. **Expressive Notation:** Incorporation of expressive dynamics and articulations in the Romantic era.

    5. **20th Century:** Introduction of graphic scores and experimental notation in the 20th century.

    The Role of Music Sheets in Education
    Music sheets serve a important function in learning music.

    Notable Composers and Their Contributions
    1. **Johann Sebastian Bach:** Renowned for his elaborate and accurate notation techniques.

    2. **Ludwig van Beethoven:** Advanced the use of expressive
    dynamics in notation.
    3. **Wolfgang Amadeus Mozart:** Excelled in the Classical era’s precise and clear notation.
    4. **F. Chopin:** Known for his detailed and expressive piano music notations.

    5. **Igor Stravinsky:** Pioneered 20th-century notational innovations.

    Evolution of Music Sheets in the Digital Age
    The modern era has significantly altered the method we use music sheets.

    Future of Music Sheets
    The next era of music sheets holds exciting
    advancements.

    As technology progresses, the methods artists use to create and publish music sheets will in parallel evolve.

    Conclusion
    The history of music sheets is rich, reflecting the evolution of music itself.

    From primitive notations to electronic sheets, music sheets
    have functioned as a crucial medium for documenting and sharing melodies.

    As we progress, the story of music sheets will continue,
    evolving with future advancements. }
    Learning to read music sheets is vital for any novice musician. | Understanding how to read music sheets is vital for any novice musician.
    | Mastering the art of reading music sheets is crucial for
    all aspiring musicians.}

    What Are Music Sheets?
    Music sheets act as written down forms of musical notation,
    indicating the pitch and rhythm of a music work.

    Getting Started with Music Sheets
    Grasping reading music sheets starts with becoming familiar with the
    essential components of musical notation.

    Understanding Musical Notation
    Music notation consists of a few key elements, including clefs, notes, rhythms, and staff.

    1. **The Staff**
    This is is actually an important element in musical notations.

    In music notation, this staff is made up of five distinct flat lines as well
    as, four different spaces.

    2. **Clefs
    Clefs denote which musical note is meant to the different lines as well
    as, spaces. | Clefs indicate what musical note is meant for the
    lines and these five spaces. | This clefs is meant to these lines as well as spaces.}

    {There {are actually|actually are|is} {two|two separate|two distinct} {primary|different|distinct} {clefs|clef|music notes} {used in|used
    in various|used in the} {music|musical} {notation|notes|notations}.
    | There {are actually|actually are|is} {two|two separate|two distinct} {primary|different|distinct} {clefs|musical notes|clef} {used in|used
    in various|used in the} {notations|music|musical} {of|music} {these notes|these notes}.

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